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Philosophy of art & arts in philosophy

2008 9th International Conference on Computer-Aided Industrial Design and Conceptual Design, 2008
null Wenting Xie, null Ren Peng
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Art and Philosophy

Abstract The last decade has seen a marked resurgence of interest in aesthetics and philosophy of art from those working outside these areas, and a reciprocal resurgence of interest in other areas of philosophy from philosophers of art.
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The Art of the Philosophy of Art

Tulane Studies in Philosophy, 1970
The philosophy of art does not tell anyone how to be an artist. Nor even how to be an appreciator. It does attempt to describe something of the relations with them which every work of art has. For as it happens the philosophy of art is an art, not a science; and not one of the fine arts, either, but only a technique for estimating what is retained ...
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The Philosophy of Art

1990
You do not have to be a scientist to be aware of the contribution science has made to our daily lives. Likewise, although you may not yourself profess belief in a religion or be consciously following the precepts of, say, Christianity, Judaism, or Buddhism, you will probably agree that religion too is pervasive — even in societies where the prevailing ...
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Philosophy of Art, Art of Philosophy: Adorno’s Aesthetic Utopia

2018
This chapter explores Adorno’s aesthetic theory. It looks at his claim that “writing a poem after Auschwitz is barbaric” in its relationship to art’s fragile, double-edged autonomy, and examines his theory of mimesis—a non-conceptual affinity between subject and object that, expelled by identity thinking, has found refuge in art.
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Philosophy of art and art of philosophy

2015
This paper is an attempt to examine the relationship between philosophy and art. Philosophy and art can be seen primarily as two distinct but logically related phenomena in human experience. For although they differ in subject matter, each of them does have implications for the other in the sphere of knowledge and transformation of the world.
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Philosophy and Art

Philosophy, 1929
It is much more certain that the artist can help the philosopher than that the philosopher can help the artist. The purpose of this paper is to indicate the kind of questions about art which the philosopher asks, in order that those whose concern is with art, artists themselves in the first instance, and critics of art, may judge if these questions are
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Art and Philosophy

The Journal of Aesthetics and Art Criticism, 1981
Nicholas Wolterstorff, Joseph Margolis
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