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Philosophy of Art, Art of Philosophy: Adorno’s Aesthetic Utopia

2018
This chapter explores Adorno’s aesthetic theory. It looks at his claim that “writing a poem after Auschwitz is barbaric” in its relationship to art’s fragile, double-edged autonomy, and examines his theory of mimesis—a non-conceptual affinity between subject and object that, expelled by identity thinking, has found refuge in art.
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Philosophy and Art

The Journal of Aesthetics and Art Criticism, 1995
Providence and imitation - Sophocles's "Oedipus" and Aristotle's "Poetics", Thomas Prufer understanding theatre, Paul Woodruff objects of appreciation - early reflections on television, with further remarks on baseball, Ted Cohen Narcissus and Pygmalion - lessons of two tales, Karsten Harries the nature of art's nature Joseph Margolis some issues in a ...
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Philosophy of the Arts.