Results 31 to 40 of about 2,619 (180)
Stelio Maria Martini’s ‘Neurosentimental’: a simulacrum of our time
piano b, 2021 After Schemi, in 1963 – year of Gruppo 70 and Gruppo 63 – Stelio Maria Martini accomplished Neurosentimental book, one of the main important work within visual poetry researches during 1960s, based on the interaction between literature and visual ...
Davide Colombo
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Narrative Techniques in The Chronicle of Xu Sanguan’s Blood Selling by Yu Hua and Birds of the Nile by Ibrahim Aslan a Comparative Structural Study [PDF]
Wadī Al-Nīl Lil Dirāsāt wa Al-Buẖūṯ Al-Insāniyyaẗ wa Al-Iğtimāʿiyyaẗ wa Al-Tarbawiyyaẗ, 2021 The research is aimed at studying the narrative techniques in the two Novels, using the structural approach, in an attempt to compare the two texts by examining the literary features of each of them, and the method used by the two Writers to convey the ...
Samia A.Hafeez Yacob Hegab
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2025 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR)CVPR 2025. Project webpage: https://lseancs.github.io/generativephotomontage/
Sean J. Liu +3 more
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From Horrors Past to Horrors Future: Pacifist War Art (1919–1939)
Arts, 2020 In this paper, I argue that interwar pacifists working in France presented an evolving narrative of what the First World War represented in order to maintain support for their movement and a continued peace in Europe.
Lauren Jannette
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SINGULARIDADES DA MONTAGEM FOTOGRÁFICA EM FABIANA WIELEWICKI
Palíndromo, 2013 RESUMO A pesquisa aborda a produção fotográfica de Fabiana Wielewicki (Londrina, 1977). As questões tratadas em seu trabalho foram consideradas a partir dos seguintes aspectos: fotografia-artifício, fotografia-revelação, fotografia-enigma.
Lúcia Helena Fidellis Bahia
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Photomontage as practice of resistance and gender politics. Hannah Höch and Claude Cahun
piano b, 2022 Starting from the second half of the nineteenth century, some women have experimented an alternative artistry with the aim of refusing to identify with the image of submission, exclusion and marginality that politics, culture and society designed for ...
Federica Muzzarelli
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John Heartfield: One Man’s War
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2020 Gracia Ramirez’ review of the exhibition John Heartfield: One Man’s War at Four Corners, London (November 1, 2019 – February 1, 2020).
Gracia Ramirez
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Hole Filling Through Photomontage [PDF]
Procedings of the British Machine Vision Conference 2005, 2005 To fill holes in photographs of structured, man made environments, we propose a technique which automatically adjusts and clones large image patches that have similar structure. These source patches can come from elsewhere in the same image, or from other images shot from different perspectives. Two significant developments of this work are the ability
Marta Wilczkowiak +3 more
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Cut and paste pictures in surrealism [PDF]
Muzikologija, 2006 Proceeding from the idea of the readymade, Marko Ristić’s, Vane Bor’s and Dušan Matić’s collages regroup readymade pictorial and textual matrices according to the rules of free associative syntax.
Todić Milanka
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From Prohibition to Digitalisation: 100 Years of Cameras in the Courtroom
The Modern Law Review, Volume 89, Issue 3, Page 406-438, May 2026.This article traces the shifting relationship between the courts, the public, and the media in England and Wales from the 1925 prohibition on courtroom photography to the contemporary regime of livestreamed and recorded proceedings. It situates the introduction of the ban on courtroom images within the first administrative turn of the judiciary, when ...
Ozan Kamiloglu, Kanika Sharma
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