Results 1 to 10 of about 613 (148)

new derivation shows Schubert learning thematic work from a Beethoven sonata

Revista Vortex, 2022
A newly discovered derivation of Schubert from Beethoven is presented: the piano sonata in B major D.575 IV from the piano sonata in A-flat major Op.26 II. A method for finding thematic derivations is first outlined. The present derivation shows Schubert
Nigel Nettheim
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Elliott Carter's Analysis of his Piano Sonata (1945-46)

Current Musicology, 2021
In 1948, Elliott Carter penned an analysis of his Piano Sonata for Edgard Varèse.  His analysis of the first movement, in particular, makes one ask why Carter did not subsume its recurrent two-tempo structure under “first group” of its sonata form ...
Ira Braus
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Franz Liszt’s Early Formal Excursions

Musica Theorica, 2023
Franz Liszt reformulated the Classical sonata form by coalescing the structures of a single movement and a multimovement cycle into a two-dimensional sonata form.
Heyner Francisco Rodriguez Solis
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Brzmienie a relacje interinstrumentalne w fakturze kameralnej na przykładzie wybranych polskich sonat skrzypcowych XX wieku

Edukacja Muzyczna, 2019
Issues concerning relations between the parts for two instruments and is effect on the tone form in the course of development of the form are discussed in the article.
Maryla RENAT
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TRADITIONAL AND INNOVATIVE APPROACHES TO THE PIANO SONATA IN THE CREATION OF COMPOSERS FROM THE REPUBLIC OF MOLDOVA ON THE BORDERLINE OF THE 20TH-21ST CENTURIES [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
In the present article the author reviews the piano sonatas penned by national composers on the borderline of the 20th-21st centuries. On the basis of the Piano Sonata by A. Fyodorova, the Sonata-Fantasia by V.
Hatipova, Inna
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7. Echoes of Romanticism in Violin and Piano Sonata No. 2, Op. 45 by Marcel Mihalovici - Analytical Landmarks for an Upscale Interpretation

Review of Artistic Education, 2020
The evolution of the genre of violin and piano sonata in the Romanian composition creation in the first half of the 20th century, marked by the tendency towards getting close to the European musical phenomenon by assimilating stylistic influences of ...
Florea Augustina
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Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos

Konservatoryum, 2022
This article will focus on Paul Hindemith’s Sonata for Two Pianos and attempt to exemplify its eclectic approaches as well as technical and stylistic parallels and influences, both from the piece’s past and future.
Çağla Coker
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Modelagem, Simulação e Compressão na Sonata nº 10 para piano (das Rosas) de Almeida Prado: diálogos intertextuais com a Sonata op. 109 para piano de L. van Beethoven

Opus, 2019
No presente trabalho, investigo as relações intertextuais possíveis entre a Sonata nº 10 para piano (das Rosas) do compositor brasileiro Almeida Prado e a Sonata op. 109 para piano de Ludwig van Beethoven. Inicio o texto com algumas considerações sobre a
Ernesto Hartmann
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REINTERPRETATION OF TRADITIONAL FORMS IN THE SONATA FOR BASSOON AND PIANO BY VITALY VERHOLA [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
V. Verhola's artistic heritage includes works of differen genres: opera, vocal-symphonic creations, music for film, pop music,arrangements of folk works etc. But the favorite sphere of his creation is instrumental music.
TARAN, VLADIMIR, ANDRIEȘ, VLADIMIR
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3. Genuistico - Evolving Aspects of Sonata II for Violin and Piano, OP. 19, No. 3, by Constantin Silvestri

Review of Artistic Education, 2022
The article addresses the problem of investigating the evolutionary paradigm of the sonata for violin and piano in the Romanian compositional creation of the first half of the twentieth century, analyzing the work of the famous representative of the ...
Melnic Victoria, Florea Augustina
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