Results 11 to 20 of about 650 (182)
Ecological, Functional, and Phylogenetic Determinants of Cyanobacterial Biomineralisation. [PDF]
Cyanobacteria contribute to the global carbon cycle by biomineralising CO2 into solid carbonates. Unlike photosynthesis, biomineralisation is a less‐understood, multifaceted and adaptive metabolic process with significant global impact. It involves cell wall structures, genetic factors, and metabolic pathways that enable mineral formation and help ...
Tiddia F, Kodru S, Piano D, Farci D.
europepmc +2 more sources
The bidirectional role of music effect in epilepsy: Friend or foe? [PDF]
Abstract Epilepsy is a prevalent neurological disease that impacts around 70 million individuals globally. Anti‐seizure medications (ASMs) are the first choice for clinicians to control unprovoked epileptic seizures. Although more than 30 ASMs are available in the market, patients with epilepsy (PWEs) still show poor responses to adequate drug ...
Gao S, Gong Y, Xu C, Chen Z.
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Toward a Tailored Acoustic-Based Approach in Music Neuromodulation in Epilepsy. [PDF]
ABSTRACT Background Music‐based neuromodulation has garnered interest as a potential therapeutic approach for drug‐resistant epilepsy. This study expands on prior research by examining the effects of different musical features on interictal epileptiform discharges (IEDs) within intracerebral EEG (iEEG).
Strýček O +6 more
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OLD AND NEW IN GHEORGHE NEAGA’S VIOLIN AND PIANO SONATAS: COMPARATIVE REFERENCES [PDF]
This article is an outline comparison of two works for violin and piano in the sonata genre, representative for George Neaga’s componistic repertoire. The study focuses on examining issues both traditional and innovative relevant for Sonata No.
MELNIC VICTORIA, CHICIUC NATALIA
doaj
The aim of the article is to reveal the fundamentals of the composer’s interpretation of European genre of music in the 1st Sonata by the contemporary Chinese composer Ge Qing.
Tuo Yang
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Chopinian Particularities of the Sonata for Cello and Piano, Op. 65
In this article, emphasis is placed on the formal analysis of the Sonata for Cello and Piano, Op. 65, as well as on the exposition of some of Chopin’s stylistic principles. A comparison between the Sonata for Cello and Piano, Op.
Lioara POPA
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The Lyrical Themes of Neukomm’s Piano Sonata in G (1819)
Determining the location of the secondary theme group within a Classical sonata-form exposition relies on taking into account the interplay of disparate musical elements.
L. Poundie Burstein
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Modern Musical Waves: Technical and Expressive Aspects of Fin-de-siècle Form
Mahler’s Sixth Symphony, Berg’s Piano Sonata, Bartók’s Elegy Op.8b no.1 and Karłowicz’s Returning Waves illustrate concepts of ‘wave’ deformation in post-Wagnerian music.
Stephen Downes
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ANALYTICAL-INTERPRETATIVE VISIONS ON THE SONATA FOR FLUTE AND PIANO BY VLADIMIR CIOLAC [PDF]
Vladimir Ciolac is one of the most famous representatives of musical culture in the Republic of Moldova since the confl uence of the 20th-21st centuries who carries out a prolifi c activity of conductor, composer and pedagogue.
MELNIC, VICTORIA, SERBINOV, MARIA
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SONATA-DIALOGUE FOR BASSOON AND PIANO BY V. ROTARU [PDF]
In the pages of this article, the author analyzes the stylistic peculiarities of the Sonata-dialogue for bassoon and piano by Vladimir Rotaru, highlighting the composer’s predilection for the genre of instrumental chamber music, mostly for piano and wind
TARAN VLADIMIR
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