Results 21 to 30 of about 650 (182)
PIANO HERITAGE OF ZLATA TKACH IN NATIONAL PIANO COLLECTIONS OF THE REPUBLIC OF MOLDOVA [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 In this article the author considers the piano works of the Moldovan composer Zlata Tkaci from the point of view of their significance for the piano concert and pedagogical practice in the Republic of Moldova.
GUPALOVA, ELENA
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SERGEI PROKOFIEV’S PIANO SONATA NO. 5 IN C MAJOR OP. 135: A STYLISTIC APPROACH [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 The Piano Sonata No. 5 in C major Op. 135 had two versions: the first one appeared in 1923 (The Piano Sonata no.5 op. 38) and the second one (no. 5 op. 135) was released in 1953, the year when the composer died, nevertheless he had started working at it ...
PRIP EMANUELA
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Anuario Musical, 2017 Muzio Clementi es el editor de la primera publicación hasta ahora conocida para piano de las sonatas de Domenico Scarlatti: Scarlatti’s Chefs d’Oeuvre, for the Harpsichord or Piano forte [1791].
Laura Cuervo Calvo
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The Musical Style of Elliott Carter: The analysis of the Piano Sonata (1945-46)
Accelerando: BJMD, 2020 The purpose of this paper focuses on American composer Elliott Carter and his Piano Sonata (1945-46). Elliot Carter’s Piano Sonata is a representative example of his distinctive modernist style. After his early works written largely in Neoclassical idiom,
Yingying Wang
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POLYPHONIC PROCEDURES AND TECHNIQUES IN THE SONATA FOR FLUTE AND PIANO BY SERAFIM BUZILĂ [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020 Called by the well-known composer M. Kopytman "the handbook of polyphony", S. Buzila’s Sonata for flute and piano reveals various polyphonic methods and techniques which the author masterly combines with the structure of the traditional sonata cycle and ...
MELNIC, VICTORIA, PÎNZARU, NATALIA
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Studia Universitatis Babeş-Bolyai. MusicaComposed in the 20th century, Francis Poulenc's Piano Sonata for Four Hands is a significant piece for piano duets. Its musical characteristics are represented in a unique way, as if it were an archive of its own.
Valentin MUREȘAN
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The Off‐Tonic Recapitulation in Context: a Study in Fuzziness
Music Analysis, Volume 44, Issue 3, Page 372-392, October 2025.ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
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VARIATION FORM IN MOZART’S PIANO WORKS
Studia Universitatis Babeş-Bolyai. Musica, 2017 This study presents the variation form in Wolfgang Amadeus Mozart’s piano works. At first there is a short description of the variation form. From each genre, where the variation form appears in Mozart’s piano works, I chose the most representative ...
Boglárka Eszter OLÁH
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A arte pianística de Barbara Nissman
Orfeu, 2021 Barbara Nissman é uma pianista norte-americana conhecida por suas gravações de Alberto Ginastera e Sergei Prokofiev. O compositor argentino dedicou a ela a última obra que escreveu, sua Sonata n. 3.
Fernando Vago Santana
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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