Results 31 to 40 of about 650 (182)
Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta”
Musica Docta, 2020 The article simulates a lecture given in front of a musically non-literate audience, with the aim of illustrating one possible method for translating music into words. The exercise consists in a description of the first movement of the Sonata op.
Paolo Gallarati
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‘I See Her Instrument Is Open’: (Dis)playing the Musical Body in the Work of Jane Austen
Journal for Eighteenth-Century Studies, Volume 48, Issue 3, Page 303-326, September 2025.Abstract This article contextualizes Jane Austen's depictions of musicians and instruments within contemporary philosophical perceptions of music as a means of ‘unvirtuous’ corporeal stimulation in order to examine Austen's attitude towards female sexuality.
Maggie Stanton
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SERAFIM BUZILĂ'S SONATA FOR VIOLIN AND PIANO: AN EXAMPLE OF COMPONISTIC INVENTIVITY AND A TRIBUTE TO THE GREAT GEORGE ENESCU [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2019 In his Sonata for Violin and Piano S. Buzila has taken on a rather difficult task: to combine folkloric elements with classical and contemporary elements in a sonata cycle, with its well-defined form, trying to express the psychology of the contemporary
MELNIC VICTORIA, PÎNZARU NATALIA
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Per Musi, 2009 Estudo comparativo entre a Sonata n.1 para piano e sua transcrição intitulada Divertimento para cordas de Edino Krieger, obras que integram o segundo período de criação do compositor, marcado pela tendência neoclássica e utilização de temas de caráter ...
Bruna Vieira +2 more
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Edukacja Muzyczna, 2019 The paper presents unknown compositions by a forgotten Polish composer, educator and organizer of musical life, active in the first half of the 20th century, in various centres in Poland and abroad.
Maryla RENAT
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SONATA FOR VIOLIN AND PIANO BY VLADIMIR ROTARU: PECULIARITIES OF THE MUSICAL LANGUAGE, COMPOSITION AND DRAMATURGY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022 The Sonata for violin and piano by Vladimir Rotaru has long been included in the pedagogical repertoire of the class of the chamber ensemble of the Academy of Music, Theater and Fine Arts, as it is distinguished by the originality of the compositional ...
SAULOVA, INESSA
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Annals of the New York Academy of Sciences, Volume 1546, Issue 1, Page 120-135, April 2025.This study compares rhythm processing under two conditions—high pitch predictability (tonal music) and low pitch predictability (atonal music)—while keeping the temporal information of the stimuli constant. More predictable pitch is associated with better behavioral rhythm tracking (finger‐tapping) and decreased cortical rhythm tracking, potentially ...
Anne Keitel +8 more
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COMPOSITION PECULIARITIES IN THE SONATA C-MOLL FOR VIOLIN AND PIANO BY KONSTANTIN ROMANOV [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 The author analyzes the Sonata for Violin and Piano by Konstantin Romanov written in Chisinau in 1920s. This is one of the first works known in national music in the genre of sonata for violin, written on the territory of the Republic of Moldova.
ŢIRCUNOVA SVETLANA, BURUNOVA ANASTASIA
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Sonata para flauta e piano de Lowell Liebermann
Orfeu, 2022 Circunscrito ao campo da pesquisa artística, este artigo volta-se à relação entre a análise e a performance musical da Sonata para flauta e piano Op. 23 de Lowell Liebermann.
Adriana Lopes Moreira +1 more
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Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
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