Results 41 to 50 of about 650 (182)
, 2020 This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
openaire +3 more sources
DIES IRAE AS CENTRAL DRAMATURGICAL ELEMENT IN NIKOLAI MYASKOVSKY’S PIANO SONATA OP. 13 [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 The present article examines the interpretation of the Piano Sonata genre (as part of Nikolai Myaskovsky’s musical legacy) in terms of musical dramaturgy.
STOLEARCIUC XENIA
doaj
Music Analysis, Volume 44, Issue 1, Page 73-99, March 2025.ABSTRACT In contrast to the teleological nature of Western art music, minimalism has long been purported to be ‘anti‐teleological’ (Meyer 1963) – that is, the latter lacks the goal‐directedness that Wim Mertens (1983) views as a defining feature of the former.
Hunter Hoyle
wiley +1 more source
An Appreciation of the First Movement of Mozart’s Piano Sonata in D Major, KV.576 [PDF]
SHS Web of ConferencesThe most outstanding and influential composer of the Viennese classical school is Mozart, and the Piano Sonata in D Major (KV.576) is Mozart's last sonata, written in 1789.
Wang Le
doaj +1 more source
THE TEXTURE OF SONATA-REMINISCENZA (ОР. 38, NO.1) BY NIKOLAY MEDTNER THROUGH THE PRISM OF INTERPRETATIVE TASKS [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022 The article analyzes the Sonata-reminiscenza of Nikolai Medtner from the point of view of the types of piano texture used in it. It is about such distinctive qualities of the musical texture of this work as graphicity, a combination of homophonic ...
GEORGIEVA, MARIA
doaj
Audio‐visual concert performances synchronize audience's heart rates
Annals of the New York Academy of Sciences, Volume 1543, Issue 1, Page 117-132, January 2025.People enjoy engaging with music. In the current study, we assessed engagement in a live concert setting using synchrony of cardiorespiratory measures. As engagement might be enhanced in a concert setting by seeing musicians perform, we presented audiences with audio‐only and audio‐visual piano performances.
Anna M. Czepiel +5 more
wiley +1 more source
Anuario Musical, 1997 El análisis de tres obras para piano de Vicente Arregui (Sonata en fa menor), Salvador Bacarisse (Heraldos) y Joaquín Turina (Sonata fantasía) demuestra que el impresionismo musical francés en España no fue una mera corriente pasajera de principios del ...
Christiane Heine
doaj +1 more source
SONATA FOR FLUTE AND PIANO BY ANFISA FIODOROVA: STYLISTIC AND STRUCTURAL PARTICULARS [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022 Although the life and creation of Anfi sa Fiodorova (1953-2000) were interrupted too early, the composer left a visible imprint in the local compositional art, materialized through original creations of a certain artistic value covering various musical
SERBINOV, MARIA
doaj
‘Music is Life’ – The influence of transcendentalist philosophy on Ives’s Concord Sonata
The Journal for Transdisciplinary Research in Southern Africa, 2007 Although the Concord Sonata is traditionally regarded as a sonata, it is atypical of the genre and is often considered as enigmatic. To understand this composition, a transdisciplinary approach is essential by, more specifically, incorporating knowledge ...
Waldo Weyer, Bertha Spies
doaj +1 more source
Jean‐Luc Nancy's Conception of Listening
Educational Theory, Volume 74, Issue 6, Page 915-941, December 2024.Abstract In this article Sophie Haroutunian‐Gordon and Megan Jane Laverty discuss Jean‐Luc Nancy's conception of listening as presented in his seminal work, À l'écoute. The authors argue that Nancy uses the term “listening” to refer to the experience of coming to an idea of sound(s) initially encountered as puzzling.
Sophie Haroutunian‐Gordon +1 more
wiley +1 more source