Results 51 to 60 of about 650 (182)

Eight‐Month‐Old Infants Are Susceptible to the Auditory Continuity Illusion

open access: yesDevelopmental Psychobiology, Volume 66, Issue 7, November 2024.
ABSTRACT The real world is full of noise and constantly overlapping sounds. However, our auditory system provides a solution to this, that is, the continuity illusion; when we hear a sound stream that is partially replaced by high‐level noise, we can restore missing sound information and “fill in” the information as if it were smooth and continuous ...
Ryoko Mugitani, Makio Kashino
wiley   +1 more source

The Second Sonata for Piano and Violin, Ópus 6 by George Enescu

open access: yesReview of Artistic Education, 2021
The second Sonata for Piano and Violin, op. 6 by George Enescu marks the beginning of a long road of assimilation and synthesis of the Romanian folklore elements and of the way of expression“in Romanian popular character”, transposed on the ...
Ioniță Raluca Dobre
doaj   +1 more source

Proceedings of the 2022 “Lifestyle Intervention for Epilepsy (LIFE)” symposium hosted by Cleveland Clinic

open access: yesEpilepsia Open, Volume 9, Issue 5, Page 1981-1996, October 2024.
Abstract Lifestyle interventions are strategies used to self‐manage medical conditions, such as epilepsy, and often complement traditional pharmacologic and surgical therapies. The need for integrating evidence‐based lifestyle interventions into mainstream medicine for the treatment of epilepsy is evident given that despite the availability of a ...
Elizabeth Spurgeon   +16 more
wiley   +1 more source

Yvonne Loriod and the Practice of Analytical Memory

open access: yesMusic Analysis, Volume 43, Issue 3, Page 331-379, October 2024.
ABSTRACT The usefulness of music analysis in memorisation is well attested in music‐performance scholarship, even though the methods and processes of analytical memorisation are rarely documented and difficult to assess, especially in a historical perspective.
Peter Asimov, Christopher Brent Murray
wiley   +1 more source

The deixis of literature: On the conditions for recognizing computers as authors

open access: yesOrbis Litterarum, Volume 79, Issue 4, Page 309-322, August 2024.
Abstract Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts.
Hannes Bajohr
wiley   +1 more source

Corpus Studies and ‘Close Listening’

open access: yesMusic Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

open access: yesMusic Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

Cornel Ţăranu – „Sonata-Ostinato”

open access: yesSymbolon, 2019
Cornel Ţăranu is one of the most appreciated personalities of the Romanian musical life, his creation reaching beyond European borders, all the way to American continents.
Meda Nemeti
doaj  

Genius loci: Bild – Stimmung – Erinnerung : die Klavierkompositionen Leoš Janáčeks im europäischen Kontext

open access: yesMusicologica Brunensia, 2013
The genius loci apparent at Janáček in the first decade of the 20th century in three works for solo piano Po zarostlém chodníčku (On an Overgrown Path), two movements of Sonáta 1. X.
Hermann Jung
doaj   +1 more source

FORM AND STYLEIN ELGAR’s SONATA FOR VIOLIN AND PIANO [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020
The Sonata for violin and piano, op. 82, composed in 1918 by E. Elgar – a unique piece in this genre among the composer’s creation, has the traditional structure of a tripartite sonata; I. Allegro, II. Andante, III. Allegro non troppo.
MELNIC VICTORIA, COȘCIUG SVETLANA
doaj  

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