Results 61 to 70 of about 650 (182)
This article discusses Tzvi Avni’s Second Piano Sonata, Epitaph, a sonic commentary on one of the inner tales in Rabbi Nachman’s “The Seven Beggars”. Written between 1974 and 1979, Epitaph not only marks the composer’s act of translation (from words into
Assaf Shelleg
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This paper aims at initiating an investigation on the process of developing variation employed by Alban Berg in the composition of his Piano Sonata Op. 1.
Carlos de Lemos Almada
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The choice of valuable interpretative versions is highly important for both pianists on their way to performance and teachers in their complex activity of piano training.
Tudor Brînduşa
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Interferența național-universal în sonatele românești pentru pian
The National-Universal Interferences in Romanian Piano Sonatas The pioneers of the Romanian classical music school of composition have their origins in the 19th Century.
Meda Nemeti
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Evidence of a metacognitive illusion in judgments about the effects of music on cognitive performance. [PDF]
Bell R, Komar GF, Mieth L, Buchner A.
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Sonata n.1 para piano de Edino Krieger – Análise formal e motívica do primeiro movimento
O presente trabalho é decorrente de uma pesquisa em nível de mestrado e tem características de cunho artístico e acadêmico, tendo como propósito construir uma análise do primeiro movimento da Sonata n.1 para piano de Edino Krieger (1928 -), compositor ...
Keisy Peyerl +1 more
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A Critical Ear: Analysis of Value Judgments in Reviews of Beethoven's Piano Sonata Recordings. [PDF]
Alessandri E +3 more
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GENRE DIFFUSION IN THE CHAMBER-INSTRUMENTAL CREATION OF THE COMPOSER BORIS DUBOSARSCHI (ON THE EXAMPLE OF THE SONATABALLAD FOR VIOLA AND PIANO) [PDF]
Genre experiments in the modern musical art are characterized by a huge variety, reflecting the individual author’s approach to the interpretation of the genre means.
SEDÎH, INESSA
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