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Relative Height on the Picture-Plane and Depth Perception
Perceptual and Motor Skills, 1965 Geometric considerations of the two-dimensional projection of the three-dimensional visual field led to hypotheses about the possible effect on depth perception of: relative height in the picture plane, the type of supplied reference plane, and angle of regard. In three experiments Ss viewed pairs of equidistant, horizontal rods in front of one of four
Bruce E. Dunn +2 more
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Infants' Sensitivity to the Depth Cue of Height‐in‐the‐Picture‐Plane
Infancy, 2008Five‐ and 7‐month‐old infants' sensitivity to the pictorial depth cue of height‐in‐the‐picture‐plane was assessed. Infants were presented with 2 objects, 1 higher than the other, and their reaching was recorded under monocular and binocular viewing conditions.
Martha E Arterberry
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The Picture Plane as Arbiter of Space in Digital Cinema
, 2021 This chapter is concerned with the art historical notion of the picture plane as related to the configuration of space in an increasingly dematerialized digital cinema. It argues that the picture plane — both as a physical tool for transcribing objects from real-world three-dimensionality into pictorial two-dimensionality, and as an optico-mental ...
Harris, C.E.
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Printing the Picture Plane: Imaging Scales Up
Architectural Design, 2023AbstractThe last few years have witnessed an explosion in printing technologies that facilitate the dressing of buildings in a thin veneer of advertising, visual trickery and anamorphic distortions. David Freeland and Brennan Buck are interested in the articulation of these techniques and scales, and what they might mean for contemporary architecture ...
David Freeland, Brennan Buck
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October, 2019
David Bordwell argues that Annette Michelson's impact on film criticism was comparable to Andrew Sarris's. In unearthing the strategies or “schema” regularly used by critics to interpret avant-garde films, he shows that Michelson pioneered an innovative understanding of modernist art as being about human perception and cognition. This new interpretive
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David Bordwell argues that Annette Michelson's impact on film criticism was comparable to Andrew Sarris's. In unearthing the strategies or “schema” regularly used by critics to interpret avant-garde films, he shows that Michelson pioneered an innovative understanding of modernist art as being about human perception and cognition. This new interpretive
openaire +1 more source
Set-Theoretic Volume Model Evaluation and Picture-Plane Coherence
IEEE Computer Graphics and Applications, 1984The class of scan-line processing algorithms introduced here can be used for efficient image generation and volume integral calculations and is shown to outperform previous methods.
Kenneth H. Sears, Alan E. Middleditch
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