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Carbamazepine-induced abnormal pitch perception
Brain and Development, 2003A 7-year-old boy began to complain that his pitch perception was decreased just after oral medication with carbamazepine was initiated for the treatment of epilepsy. When he played the piano, he felt as if he had played a musical note of almost a half pitch lower than he had. His pitch perception recovered soon after the cessation of carbamazepine.
Hideto, Yoshikawa, Tokinari, Abe
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Perceived continuity and pitch perception
The Journal of the Acoustical Society of America, 2000Three experiments investigated the importance of perceived stimulus continuity for the perception of the fundamental frequency (F0) of an unresolved complex tone. The F0 of the complex was 250 Hz and the harmonics were bandpass filtered between 5500 and 7500 Hz.
Plack, Christopher J., White, Louise J.
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Periodicity and pitch perception
The Journal of the Acoustical Society of America, 1991There has been experimental evidence pointing to at least two pitch mechanisms, the first involving low-order harmonics that are resolved along the basilar membrane, and the second a periodicity mechanism that depends only on the repetition rate of the time waveform on the basilar membrane.
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Experimental Brain Research, 2006
Sensory saltation is a spatiotemporal illusion in which the location of a brief stimulus is displaced towards a subsequent one following closely in time and space. This study investigated in three experiments whether or not saltation is present in spectral pitch, a non-spatial dimension. Employing the "symmetrical-rabbit" paradigm, listeners judged the
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Sensory saltation is a spatiotemporal illusion in which the location of a brief stimulus is displaced towards a subsequent one following closely in time and space. This study investigated in three experiments whether or not saltation is present in spectral pitch, a non-spatial dimension. Employing the "symmetrical-rabbit" paradigm, listeners judged the
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The Journal of the Acoustical Society of America, 1970
In music, melodies can be recognized regardless of the instrument on which they are played. This is true even when the musical sounds have no energy at the fundamental frequency. This phenomenon was studied through identification of melodies, each note of which was played by a complex of two simple tones with adjacent harmonic frequencies and randomly ...
A. J. M. Houtsma, J. L. Goldstein
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In music, melodies can be recognized regardless of the instrument on which they are played. This is true even when the musical sounds have no energy at the fundamental frequency. This phenomenon was studied through identification of melodies, each note of which was played by a complex of two simple tones with adjacent harmonic frequencies and randomly ...
A. J. M. Houtsma, J. L. Goldstein
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2018
This chapter addresses sensation and perception of pitch mainly from a functional perspective. Anatomical and physiological facts concerning the auditory pathway are provided to the extent necessary to understand excitation processes resulting from sound energy in the middle ear as well as within the cochlea.
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This chapter addresses sensation and perception of pitch mainly from a functional perspective. Anatomical and physiological facts concerning the auditory pathway are provided to the extent necessary to understand excitation processes resulting from sound energy in the middle ear as well as within the cochlea.
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High-freqeuncy pitch perception
The Journal of the Acoustical Society of America, 1983The alleged absence of musical pitch information for pure-tone frequencies above about 5 kHz is often cited as constituting evidence for temporal coding of pure-tone pitch below 5 kHz. However, the experimental data on which this allegation is based are both meager and equivocal.
Edward M. Burns, Lawrence L. Feth
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Perception of pitch by goldfish
Hearing Research, 2005Classical conditioning and stimulus generalization methods have revealed much about the sense of hearing in non-human animals, and are now used here to investigate how goldfish perceive a variety of complex sounds, including multi-harmonic complexes and rippled noise (RN).
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