Results 31 to 40 of about 38,832 (300)

Melody and pitch processing in five musical savants with congenital blindness [PDF]

open access: yes, 2008
. We examined absolute-pitch (AP) and short-term musical memory abilities of five musical savants with congenital blindness, seven musicians, and seven non-musicians with good vision and normal intelligence in two experiments.
Valerie Tadic   +9 more
core   +1 more source

Chinese and English Infants’ Tone Perception: Evidence for Perceptual Reorganization. [PDF]

open access: yes, 2006
Over half the world’s population speaks a tone language, yet infant speech perception research has typically focused on consonants and vowels. Very young infants can discriminate a wide range of native and nonnative consonants and vowels, and then in a ...
Burnham, Denis   +3 more
core   +1 more source

The effect of stimulus context on pitch representations in the human auditory cortex [PDF]

open access: yes, 2010
Neuroimaging studies of pitch coding seek to identify pitch-related responses separate from responses to other properties of the stimulus, such as its energy onset, and other general aspects of the listening context.
Garcia, Daphne   +8 more
core   +1 more source

The oscillatory entrainment of virtual pitch perception

open access: yes, 2013
Evidence suggests that synchronized brain oscillations in the low gamma range (around 33 Hz) are involved in the perceptual integration of harmonic complex tones.
Mark A. Elliott   +11 more
core   +1 more source

Perceptual Pitch Deficits Coexist with Pitch Production Difficulties in Music but Not Mandarin Speech

open access: yesFrontiers in Psychology, 2014
Congenital amusia is a musical disorder that mainly affects pitch perception. Among Mandarin speakers, some amusics also have difficulties in processing lexical tones (tone agnosics).
Wu-xia eYang   +4 more
doaj   +1 more source

Pitch-induced illusory percepts of time

open access: yesAttention, Perception, & Psychophysics, 2022
Abstract Past research suggests that pitch height can influence the perceived tempo of speech and music, such that higher-pitched signals seem faster than lower-pitched ones. However, previous studies have analyzed perceived tempo across a relatively limited range of fundamental frequencies.
Jesse Kendall Pazdera, Laurel Trainor
openaire   +2 more sources

Place pitch discrimination and speech recognition in cochlear implants users

open access: yesSouth African Journal of Communication Disorders, 1996
The considerable variability in speech perception performance among cochlear implant patients makes it difficult to compare the effectiveness of different speech processing strategies. One result is that optimal individualized processor parameter setting
Johan J. Hanekom, Robert V. Shannon
doaj   +1 more source

Effects of stimulus duration and vowel quality in cross-linguistic categorical perception of pitch directions.

open access: yesPLoS ONE, 2017
We investigated categorical perception of rising and falling pitch contours by tonal and non-tonal listeners. Specifically, we determined minimum durations needed to perceive both contours and compared to those of production, how stimuli duration affects
Si Chen, Yiqing Zhu, Ratree Wayland
doaj   +1 more source

The role of pitch and timbre in voice gender categorization

open access: yesFrontiers in Psychology, 2012
Voice gender perception can be thought of as a mixture of low-level perceptual feature extraction and higher-level cognitive processes. Although it seems apparent that voice gender perception would rely on low-level pitch analysis, many lines of research
Cyril R Pernet, Pascal eBelin
doaj   +1 more source

Pitch perception beyond the traditional existence region of pitch [PDF]

open access: yesProceedings of the National Academy of Sciences, 2011
Humans’ ability to recognize musical melodies is generally limited to pure-tone frequencies below 4 or 5 kHz. This limit coincides with the highest notes on modern musical instruments and is widely believed to reflect the upper limit of precise stimulus-driven spike timing in the auditory nerve. We tested the upper limits of pitch and melody perception
Andrew J, Oxenham   +4 more
openaire   +2 more sources

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