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Bulletin of Hispanic Studies, 2022 En este artículo se toma como base las obras de El licenciado Vidriera (1915), de Azorín, y Platero y yo (1914-1917), de Juan Ramón Jiménez, para identificar las semejanzas más sobresalientes que, en materia de concepción estética, filosófica y aun pedagógica, unían a ambos escritores a la altura de 1914-1917.
Miguel Ángel Martín-Hervás Jiménez
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Silver and Steel: Two Translations of "Platero y Yo"
Hispania, 1958 Howard T. Young
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L’Âne et la plume, une lecture de Platero y yo (1907-1916) de Juan Ramón Jiménez
, 2020 Este libro explora e interpreta una de las obras máximas de Juan Ramón Jiménez, Platero y yo, que, de manera sorprendente, nunca había sido objeto de una monografía. En el volumen se aborda la cuestión de la reinvención de géneros en el marco de la creación poética.
D. Lecler
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PMLA/Publications of the Modern Language Association of America, 1970
Studying the structure of Platero y Yo makes explicit the organization and arrangement of expressive material as a unified whole. Why does Platero begin the way it does and why does it end the way it does? What are the inner principle or principles that tie together the various lyric chapters into a poetic unity?
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Studying the structure of Platero y Yo makes explicit the organization and arrangement of expressive material as a unified whole. Why does Platero begin the way it does and why does it end the way it does? What are the inner principle or principles that tie together the various lyric chapters into a poetic unity?
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