Results 41 to 50 of about 2,115 (129)
THE ‘I’ OF SHAME AND RAGE: CONFESSION AND RUMINATION AT EITHER END OF A MILLENNIUM
ABSTRACT This article brings together two texts that differ in numerous respects: the long poem farbe komma dunkel by Levin Westermann (2021) and a devotional text often known as the Bamberg Creed and Confession (Bamberger Glaube und Beichte), transmitted in a twelfth‐century manuscript.
Sarah Bowden +2 more
wiley +1 more source
L'oralitat com a experimentació en la poesia catalana de finals del segle XX
Cette communication recense les poètes catalans qui au cours des vingt dernières années ont choisi de faire connaître leur poésie au moyen (parfois exclusif) du récital, et s'interroge sur la nature et l'impact du phénomène de la poésie orale en ...
Lis Costa
doaj +1 more source
Abstract Guided by Foucault's concept of “discursive formations,” the study reported here draws on primary archival and secondary source material to examine how French has been discursively shaped in England and in relation to English. Unpacking sociohistorical constructions of sameness–difference offers a productive frame to explore ideological ...
Simon Coffey
wiley +1 more source
Analyse esthétique du poème « Poésie » de Paul Valéry d’après son écrit « Au propos de la Poésie »
Cet article porte sur l’écrit « Au propos de la Poésie » (1924) et le poème « Poésie » (1922) de Paul Valéry. Il s’agit de faire une analyse esthétique des correspondances entre eux.
Laura Castro Esquivel
doaj +1 more source
Rutilius Namatianus’ poem De reditu suo was written a few years after the devastation of Rome in 410. It has been read as nostalgia for Rome’s past greatness written in a climate of senatorial escapism. This article revises this reading, instead analysing the poem as the literary expression of resilience on the part of the traditional western ...
Sophie Kultzen
wiley +1 more source
DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)
ABSTRACT This essay examines Rainer Maria Rilke's reception of the sculptor and poet Michelangelo in the context of interest in the Renaissance around 1900, focusing first on the Stundenbuch, the Florenzer Tagebuch and the story ʻVon einem, der die Steine belauschtʼ (from the prose collection: Geschichten vom lieben Gott).
Astrid Dröse, Jörg Robert
wiley +1 more source
LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN*
ABSTRACT Drawing on Celan's conception of poetry as a means of orienting the individual towards the ‘completely Other’, this paper emphasises poetry's ability to create community without reproducing exclusionary group identities. The analysis reveals a latent politics in Celan's poetry, emphasising its ability to gather disparate individuals into a ...
Lukas Hoffman
wiley +1 more source
REMARQUES SUR LA TRADUCTION DE LA POESIE
S’il y a un critère pour définir l’objet “poésie”, il est, à mon avis contenu dans la traduction de la poésie. En effet, selon qu’un texte poétique est ou non “traduisible”, on peut en distinguer trois catégories: le texte est intraduisible; le texte est
Inês Oseki-Dépré
doaj
Chronotopes of exile and loss in Philip O'Sullivan Beare's Zoilomastix (c. 1626)☆
Abstract This essay explores the relationship between an early modern exile and his native environment, as depicted in Philip O'Sullivan Beare's unfinished natural history Zoilomastix. Writing by turns in Latin, Spanish and Gaelic from the safety of the Habsburg court, O'Sullivan Beare marshalled Ciceronian rhetoric and Plinian wonder to argue for the ...
Kevin Gerard Tracey
wiley +1 more source
THE LEGACY OF TOLERATION: J. G. HERDER AND MOSES MENDELSSOHN'S DEFENCE OF PLURALISM
ABSTRACT Moses Mendelssohn's ‘Jerusalem, or on Religious Power and Judaism’ (1783) was a milestone in the promotion of religious toleration – a principle that is constitutive for human rights in their contemporary conception. This article argues that ‘Jerusalem’ borrows from a surprising source: Johann Gottfried Herder's world history, which is ...
Yael Almog
wiley +1 more source

