Results 51 to 60 of about 120,672 (210)
, 2017 Devenue au plan editorial un genre marginal, s’etant elle-meme a l’occasion declaree « inadmissible » (Denis Roche), la poesie semble trouver pourtant aujourd’hui, empruntant d’autres voies que celle de l’edition standard, un regain de legitimite et de ...
J. Pinson
semanticscholar +1 more source
German Life and Letters, Volume 78, Issue 4, Page 413-431, October 2025.ABSTRACT This article presents a conception of literature as self‐reflection, derived from the writings of Johann Georg Hamann (1730–88). Starting from an intertextual analysis of Hamann's statements on self‐knowledge as a descent into hell that paves the way to divinisation, the article presents Hamann's intertextual writing practice (‘neuer Begriff ...
Anna Żymełka‐Pietrzak
wiley +1 more source
Polilingvizmas kaip „grįžimas namõ“: tarp Babilono katastrofos ir Jeruzalės Sekminių stebuklo. Vlado Braziūno poezijos at(si)vėrimai | Der Polylinguismus als „Rückkehr nach Hause“: zwischen der babylonischen Katastrophe und dem Pfingstwunder von Jerusalem [PDF]
Literatūra (Vilnius), 2006 In diesem Beitrag wird ein Versuch unternommen, die Widerspiegelung von zwei philologisch wichtigen Episoden der Heiligen Schrift in der modernen Poesie zu vermitteln.
Skirmantas Valentas
doaj
Leta Semadeni's Romansh‐German poetry: Poetic praxis between languages
Orbis Litterarum, Volume 80, Issue 5, Page 495-506, October 2025.Abstract Swiss poet Leta Semadeni's award‐winning literary work is shaped in and through her bilingualism. Her poetry combines her ‘mother tongue’, the Romansh idiom Vallader, and her ‘first great love’, German. Her writing is shaped by a linguistic terseness and a layering of images of everyday experience with meditations on the deeper realities ...
Richard McClelland
wiley +1 more source
Poésie oralisée et performée : quel objet, quels savoirs, quels enseignements ?
, 2016 La poesie oralisee et performee convoque des signes oraux et physiques, prepares par la poetique du texte, et mis en voix et en corps par un sujet-performeur.
Judith Émery-Bruneau, M. Brunel
semanticscholar +1 more source
THE ‘I’ OF SHAME AND RAGE: CONFESSION AND RUMINATION AT EITHER END OF A MILLENNIUM
German Life and Letters, Volume 78, Issue 3, Page 394-411, July 2025.ABSTRACT This article brings together two texts that differ in numerous respects: the long poem farbe komma dunkel by Levin Westermann (2021) and a devotional text often known as the Bamberg Creed and Confession (Bamberger Glaube und Beichte), transmitted in a twelfth‐century manuscript.
Sarah Bowden +2 more
wiley +1 more source
L'oralitat com a experimentació en la poesia catalana de finals del segle XX
Catalonia, 2010 Cette communication recense les poètes catalans qui au cours des vingt dernières années ont choisi de faire connaître leur poésie au moyen (parfois exclusif) du récital, et s'interroge sur la nature et l'impact du phénomène de la poésie orale en ...
Lis Costa
doaj +1 more source
The Modern Language Journal, Volume 109, Issue 2, Page 389-406, Summer 2025.Abstract Guided by Foucault's concept of “discursive formations,” the study reported here draws on primary archival and secondary source material to examine how French has been discursively shaped in England and in relation to English. Unpacking sociohistorical constructions of sameness–difference offers a productive frame to explore ideological ...
Simon Coffey
wiley +1 more source