Results 51 to 60 of about 7,817,425 (229)
“POEMA OBSCENO”: HAVERIA LIRISMO NA POESIA SOCIAL?
, 2015 Este artigo pretende analisar um poema de Ferreira Gullar – “Poema obsceno” – e verificar se na poesia denominada “social” ha lirismo, na forma como o termo e aplicado historicamente e tambem como estudado por especialistas do genero lirico.
G. Fernandes
semanticscholar +1 more source
Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆
Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
wiley +1 more source
Humour in the post-war press: short stories of Gloria Fuertes in the falangist magazine Maravillas [PDF]
, 2019 The Spanish civil war entailed an impasse in the development of press as a communication platform. In fact, its instrumentalization for propaganda purposes explains its role in the consolidation of the new State.
Ballesteros-Aguayo, Lucía +1 more
core
Leta Semadeni's Romansh‐German poetry: Poetic praxis between languages
Orbis Litterarum, Volume 80, Issue 5, Page 495-506, October 2025.Abstract Swiss poet Leta Semadeni's award‐winning literary work is shaped in and through her bilingualism. Her poetry combines her ‘mother tongue’, the Romansh idiom Vallader, and her ‘first great love’, German. Her writing is shaped by a linguistic terseness and a layering of images of everyday experience with meditations on the deeper realities ...
Richard McClelland
wiley +1 more source
Exploring Jewish forms of speaking to God : the use of apostrophe in David Rosenmann-Taub’s Cortejo y epinicio [PDF]
, 2014 textIn his first published collection of poetry, Cortejo y epinicio (1949), Chilean author David Rosenmann-Taub (1927) references Jewish culture, prayers and beliefs.
Wyse, Raelene Camille
core
A Discordant Voice from the Trenches: Juan José de Soiza Reilly's War Chronicles [PDF]
, 2017 The First World War represented a deep crisis of the European civilization that called into question the values and certitudes of the Belle Époque society. Trenches became the symbol of the dehumanization produced by a conflict that marked a watershed in
Tato, María Inés
core +2 more sources
De/Sedimentation: The Geopoetics of José Watanabe and Soledad Fariña
Bulletin of Latin American Research, Volume 44, Issue 3, Page 147-160, July 2025.This paper explores de/sedimentation as both a textual and geological concept through the works of José Watanabe (La piedra alada) and Soledad Fariña (PAC PAC PEC PEC) to examine how literary and material traces accumulate, erode and reemerge within the colonial Anthropocene.
Rosa Berbel
wiley +1 more source
Sex and Prisons: Women and Spanish Penitentiary Reform, 1787‐1808
Journal for Eighteenth-Century Studies, Volume 42, Issue 4, Page 501-517, December 2019., 2019 Abstract Whereas prisons had previously been thought of as transitory places for those awaiting trial, the new prison system aimed at the reformation of convicts. In Spain the first organisation set up to improve prison conditions was the Señoras de las Cárceles. This article shows how the Señoras attempted to erase the sexual aspect of women's prisons
Elena Serrano
wiley +1 more source
Tempo suspenso: pandemia e poesia contemporânea
Estudos de Literatura Brasileira ContemporâneaLa relación entre tiempo y poesía concierne a la pregunta central de este texto, con el fin de analizar específicamente cómo la pandemia de Covid-19 se efectúa en un “tiempo suspendido” y cómo esto repercute en la poesía contemporánea.
Emanuelle de Queiroz Oliveira Estiphano +1 more
doaj +1 more source
“Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature” [PDF]
, 2010 This essay reconsiders a famous episode of anti-imperial modernism, Langston Hughes’ collaboration with the Afro-Cuban poet Nicolás Guillén. While the episode is often remembered in American literary history as an instance of the more famous Hughes ...
John Patrick Leary
core +1 more source