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?Someplace Called Poetry? Karl Shapiro, Poetry Magazine and Post-War American Poetry
English Studies, 2000Item does not contain ...
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Women’s Poetry in the Magazines
2018Nearly every monthly magazine published in the eighteenth century had a poetry section, a regular slot given over in each issue to poetic expression of all kinds, written by a broad range of writers, both male and female, provincial and metropolitan, amateur and established. This chapter assesses the place that women poets, both familiar and unfamiliar,
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Finding the Oysters with Pearls Among Poetry Magazines
The Reference Librarian, 1990The problems of selecting periodicals in a specific field are illustrated in the area of American and Canadian poetry. Selection sources are evaluated, frequently used criteria are critiqued and collection development goals are suggested. The article closes with reviews of the ten best journals and selections for Canada and each geographical area of ...
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Whitewashing Poetic Form in Poetry Magazine
The Journal of Modern Periodical StudiesABSTRACT This article revisits the gender politics of Poetry: A Magazine of Verse during founding editor Harriet Monroe’s tenure (1912–1936). Although Poetry is often lauded for achieving gender parity and publishing formally experimental poetry, it is rarely acknowledged that the magazine published zero Black women poets in its first
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Beautification through Beautification: Poetry in The Christian Lady's Magazine, 1834-1849
Victorian Poetry, 2004THE DEVOTIONAL VERSE OF A FEW VICTORIAN WOMEN SUCCEEDED IN REACHING a mammoth and mammothly approving audience. Frances Ridley Havergal, Mrs. Cecil Frances Alexander, and Sarah Flower Adams, for example, wrote religious lyrics in the form of hymns, which as the nineteenth century progressed grew in popularity in dissenting, Evangelical, and even ...
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Two Defence[s] of Poetry: Shelley and the Newgate Magazine
2005Raymond Williams has noted that Percy Shelley’s Defence of Poetry, like other Romantic theories of poetry, is ‘evidently compensatory,’ for ‘the height of the artists’ claim is also the height of their despair.’1 Williams traces this compensatory claim to the belief on the part of Romantic poets that the values they heralded as central to art and ...
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