Results 1 to 10 of about 13,814 (96)
Opium nieszkodliwe teatru, czyli o «Tragedii Eumenesa» Tadeusza Rittnera
According to Zbigniew Raszewski, Tragedia Eumenesa (The Tragedy of Eumenes) was one of Tadeusz Rittner’s worst plays. The present article engages polemically with this opinion.
Sabina Brzozowska
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Warszawskie teatry Stanisławy Wysockiej
This article presents selected aspects of Stanisława Wysocka’s directing and teaching activity in the interwar period. The author seeks out links between Wysocka’s theory and practice, discussing postulates from her journalistic texts about the “theater ...
Barbara Michalczyk
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Among all the surviving plays by Witkacy, Dainty Shapes and Hairy Apes is most imbued with allusions to the Petrograd revolt. The story unfolding on stage seems at times to be a parody of the attack on the Winter Palace. The brave and uncompromising girl-
Przemysław Pawlak
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The Place of Polish Films on German market between 1920s and 1930s, with special emphasis on Borderlands [PDF]
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Biel, Urszula
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Witkacy na scenach polskich 1990–2015
The inventory of performances based on Witkacy's texts produced on Polish stages between 1990 and 2015 includes 282 entries in chronological order. Included are both stagings of theatrical works: dramas, self-parodies and juvenilia, as well as novels ...
Przemysław Pawlak (oprac.)
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Witkacy suffered from amusia as a child and as an adult person. He was seriously interested in music only for a little over twenty years (1890–1914?). He wrote his main works as an amusic. The relation between amusia and metaphysical feelings may suggest
Bocheński, Tomasz
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Pocztówki z piekła: Stanisław Ignacy Witkiewicz w Paryżu 1908
We know little about Witkacy’s stay in Paris in the spring of 1908; we do not know the letters to his father where he probably reported what he experienced there, and the correspondent letters by his father contain few traces of such reports.
Wojciech Sztaba
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This article is informed by an insight that has been present in Witkiewicz studies for a long time and makes it viable to read Witkacy’s dramaturgy and philosophical investigations through the philosophy of Martin Heidegger.
Antoni Winch
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„Matka” Witkacego: Tragedia rodzinna – zagłada człowieczeństwa w człowieku
Witkacy’s play The Mother (1924), widely praised for its brilliant inventiveness and shocking avant-gardism, is sometimes considered to be a family drama, or a family tragedy or grotesque.
Lech Sokół
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The Third Reich’s Pean of Praise for the November Uprising’s Glory: Karl Hartl’s Ritt in Die Freiheit (1936) [PDF]
This book was financially supported by the National Programme for the Development of Humanities: project “Cinema: Intercultural Perspective. Western-European Cinema in Poland, Polish Cinema in Western Europe. Mutual Perception of Film Cultures (1918–1939)
Kłys, Tomasz
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