Results 1 to 10 of about 150 (103)
Acta Universitatis Lodziensis Folia Litteraria Polonica, 2016 Witkacy suffered from amusia as a child and as an adult person. He was seriously interested in music only for a little over twenty years (1890–1914?). He wrote his main works as an amusic. The relation between amusia and metaphysical feelings may suggest
Tomasz Bocheński
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Witkacy and His Doppelgängers [PDF]
Eidos. A Journal for Philosophy of Culture, 2019 The literary work of Stanisław I. Witkiewicz (Witkacy), whose world career began in the fifties of the last century, is considered today in many aspects as precursory to postmodernism.
Paweł Dybel
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Traces of improvisation in "Jedyne wyjście" by Witkacy
Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2022 In the article I have analysed the concept of improvisation recorded in Jedyne wyjście by Witkacy. He described the notion as unconstrained variation-based creation flowing from an inspired vision. Witkacy considered vision as the most fundamental source
Tomasz Bocheński
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AI in theatre. Witkacy case study [PDF]
Annals of Computer Science and Information SystemsMarek Średniawa
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Tuwim and Witkacy: Visual Translation of 'Kalinowe dwory'
Acta Universitatis Lodziensis Folia Litteraria Polonica, 2016 The article offers a comparative analysis of a lost painting by Witkacy (know only from a photographic reproduction) and a poem by Julian Tuwim. Tuwim’s poem inspired Witkacy to create his work.
Paweł Polit
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Freedom of self-discreditation. On Witkacy’s letters to his wife
Acta Universitatis Lodziensis Folia Litteraria Polonica, 2017 „If these letters are to be found by someone after my death, I will be brought into disrepute (…)” – wrote Witkacy to Jadwiga and he reminded his wife of destroying all the letters she receives from him.
Sara Kurowska
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What is still not Known about Witkacy’s Intertextuality? An Analysis of Witkacy and Słowacki [PDF]
The Polish Journal of Aesthetics, 2013 The author addresses the extent to which Witkacy’s work should be seen in relation to Romantic playwright Juliusz Słowacki who began the Artistic Theater in Poland according to Witkacy’s own words.
Marta A. Skwara
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Pamiętnik Teatralny, 2016 Banned in 1949–1955, Witkacy was reclaimed for Polish culture in the process of political change in 1956. His work has the extraordinary capacity to renew meanings and to resonate with what is happening at a given moment, in changing political, social ...
Janusz Degler
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Przestrzenie Teorii, 2010 The studies on Witkacy’s oeuvre Narcotics (Narkotyki, 1932) exist without any specific status, as if reduced to a research element ancillary to other “more serious” creative areas of its author.
Giovanna Tomassucci
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Witkacy and Conspiracy Theories [PDF]
The Polish Journal of Aesthetics, 2013 In this article the author takes an historical overview of conspiracy theories and how they have been paraded in the work of Witkacy. They have been with us at least since the time of Ancient Rome, connected both with the Christians and Jews ...
Daniel Gerould
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