Results 81 to 90 of about 8,740 (208)

La polychromie des stèles de la nécropole des Bolards (Nuits-Saint-Georges, Côte-d’Or)

open access: yesRevue Archéologique de l’Est, 2019
The Bolards necropolis (Nuits-Saint-Georges, Côte-d’Or) yielded several funerary steles as early as the 19th century, but mostly during a rescue excavation in 1973 and 1974, made in advance of the construction of a section of the A37 motorway.
Nicolas Delferrière, Anne-Laure Edme
doaj   +1 more source

A Multi‐Analytical Campaign on Reused Medieval Musical Parchment From the Archivio di Stato di Siena (Italy)

open access: yesX-Ray Spectrometry, EarlyView.
ABSTRACT In this study, a non‐invasive, multi‐analytical approach combining hypercolorimetric multispectral imaging (HMI), stereomicroscopy, X‐ray fluorescence (XRF) spectroscopy, principal component analysis (PCA) and X‐ray radiography (RX) is used to investigate three reused musical parchment fragments dating from the late 14th or early 15th century ...
Mario Gentile   +7 more
wiley   +1 more source

Hidden in the Glaze: Cobalt Blue Decorations of Catalan Tin‐Glazed Ceramics From the 16th to 18th Centuries

open access: yesArchaeometry, EarlyView.
ABSTRACT This study investigates technological evolution in 16th–18th century Catalan tin glazes and cobalt blue decorations. Analysis reveals three glaze strategies, highlighting shifts in tin oxide use and cobalt pigment composition. In the 16th century, tin oxide acted as an opacifier and cobalt pigments exhibit low arsenic content with CoO/NiO and ...
Lisa Bruzzone   +3 more
wiley   +1 more source

An Uncommon Instance of Egyptian Blue in the “Pigmented Intonachino” of the Fishpond Wall Painting From the Roman Villa of Torre di Pordenone (Northeast Italy)

open access: yesArchaeometry, EarlyView.
ABSTRACT The increasingly close integration of analytical techniques in the study of Greek and Roman wall paintings has shown that Egyptian blue was a common pigment, widely documented in the production of blue and greenish hues in ancient painted production.
Simone Dilaria   +5 more
wiley   +1 more source

Saint John at Calvary: technical and material study of a polychrome wood sculpture

open access: yesCeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2013
A polychrome wood sculpture depicting Saint John at Calvary, probably a 17th century Portuguese production, was the subject of a study that aimed to characterise its materials and techniques. Radiography, optical microscopy, scanning electron microscopy,
Helena Pereira
doaj   +1 more source

Dental Students' Perceptions of Preheated Resin Composite Use for Direct Restorations and Indirect Luting Procedures

open access: yesEuropean Journal of Dental Education, EarlyView.
ABSTRACT Introduction The aim of this publication is to evaluate undergraduate dental students' perceptions of integrating preheated restorative composite resin (PRCR) into routine care for direct restorations and as a luting material for bonded partial restorations.
Philippe François   +9 more
wiley   +1 more source

New polychrome methods in microtechnique [PDF]

open access: yes, 1957
When the writer took an introductory course in Microtechnique in 1954-55, he was impressed by the inadequacy of some microtechnical procedures recommended in triple staining, and he felt disappointed and discouraged by the consistently inferior results ...
Macabales, Celestino Nera
core  

Leveraging modified ex situ tomography data for segmentation of in situ synchrotron X‐ray computed tomography

open access: yesJournal of Microscopy, EarlyView.
Abstract In situ synchrotron X‐ray computed tomography enables dynamic material studies. However, automated segmentation remains challenging due to complex imaging artefacts – like ring and cupping effects – and limited training data. We present a methodology for deep learning‐based segmentation by transforming high‐quality ex situ laboratory data to ...
Tristan Manchester   +6 more
wiley   +1 more source

From the History of Polychrome Sculpture [PDF]

open access: yes, 2018
У статті в історичному аспекті розглядається становлення поліхромної скульптури як одного із видів образотворчого мистецтва у різні періоди: у стародавні часи, у період розквіту ранніх цивілізацій, в епоху Античності, Середньовіччя, у добу Відродження ...
Hulei Olha Volodymyrivna   +3 more
core   +1 more source

Home - About - Disclaimer - Privacy