Results 41 to 50 of about 691 (187)
Arianna's Palette: A Diagnostic Study of the Painting Walls of the Domus of Arianna in Pompeii
ABSTRACT The House of Arianna, also known as the House of Colored Capitals, represents, with its 1700 m2 of floor space, one of the most majestic examples of a residence within the Pompeii archaeological site. The research developed within the project “Cultural Heritage Active Innovation for Sustainable Society—CHANGES” reports the outcomes of the ...
Maria Verde +9 more
wiley +1 more source
The feasibility of laser cleaning for the removal of a variety of surface deposits from fragments of real wall paintings from the monumental cemetery of Pisa using Nd:YAG at 1064 nm at (μs), (ns), and (ps) regimes is presented. Multianalytical investigations of the samples from irradiated surfaces of fragments were carried out in order to characterize ...
A. Andreotti +5 more
wiley +1 more source
Thickness Calculation of Pigment Layers and Gold Leaves Using XRF and MA‐XRF Data
ABSTRACT In this work, XRF and MA‐XRF data were used to estimate the thickness of Chromium Oxide (Cr₂O₃) pigment and gold leaf applied over Lead White (2PbCO3.Pb(OH)2). The thickness determination was based on the differential attenuation of the Pb‐Lα and Pb‐Lβ characteristic X‐rays, which allows correlating the overlying material layer with the Pb(Lα ...
Renato Pereira de Freitas +9 more
wiley +1 more source
Laser Cleaning of Easel Paintings: An Overview
The application of laser cleaning to paintings is relatively recent despite its use on stone‐based materials for over 30 years. The cleaning of paintings is of high importance, because it is the least reversible invasive intervention, as well as the most usual of all conservation treatments.
Rui Bordalo +3 more
wiley +1 more source
The Deceptive Surface: Perception and Sculpture’s “Skin”
In the eighteenth century, sculptors such as Antonio Canova often experimented with polychromy, using wax or grind water to subtly tint their figures’ flesh. In this article, I examine viewers’ discomfort with these surface treatments.
Christina Ferando
doaj +1 more source
ABSTRACT In this study, four paintings by the Brazilian artists Tarsila do Amaral and Anita Malfatti were analyzed using x‐ray fluorescence (XRF) and macro‐x‐ray fluorescence (MA‐XRF) scanning. The analyzed artworks by Tarsila do Amaral were “Autorretrato com vestido laranja” (1921) and “Figura Só” (1930), while the investigated paintings by Anita ...
Valter Felix +9 more
wiley +1 more source
Towards a “Polychrome History” of Greek and Roman Sculpture [PDF]
In the early twenty-first century, the polychromy of ancient sculpture has been presented at many exhibitions and discussed in a large number of specialized publications.
Bente Kiilerich
doaj
Pigment Analysis in Paintings by the Brazilian Artist Di Cavalcanti Using IRR and MA‐XRF
ABSTRACT This study analyses the pictorial materials used by the renowned Brazilian artist Di Cavalcanti (1897–1976) in two modern oil paintings on canvas from 1962, part of the collection at the Chácara do Céu Museum in Rio de Janeiro, Brazil. This analysis was carried out using imaging: visible light imaging and infrared reflectography (IRR), as well
Raysa Nardes +6 more
wiley +1 more source
An Important Film: Polychromy in the Pier Luigi Nervi Halls at the Turin Exhibition Center [PDF]
Greta Bruschi
openalex +1 more source
The evolution of craft work in the strategic development of a family enterprise
Abstract Research Summary Craft firms characterized by a humanistic approach to work face a tension between adhering to pure craft principles and embracing industrialization. This challenge is heightened in family‐controlled craft firms, striving to uphold tradition while adapting to change.
Emanuela Rondi +3 more
wiley +1 more source

