Results 131 to 140 of about 1,731,758 (339)
Student-Centered Learning Strategies for Teaching World and Popular Musics
, 2015 Amanda L. Scherbenske
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Australian Journal of Public Administration, EarlyView.Abstract This Forum Article integrates a range of four contributions which are all underpinned by the conviction that the rediscovery of the humanities may be beneficial to the field of public administration. The first piece examines the contribution that philosophy, as a key discipline of the humanities, can provide to the field of public ...
Edoardo Ongaro +5 more
wiley +1 more source
Popular Music Analysis in American Music Theory [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2005 Jocelyn Neal
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Audiopolitics and Social Movements: Popular Music in Indonesia’s Corrupted Reform Era
Annali di Ca’ Foscari: Serie OrientaleThis article observes popular music practices and social movement ideals in Indonesia between 2019-2024. It is an interrogation into traits of popular music through the framework of audiopolitics that underlines the political dimension of music ...
Sasono, Rizky
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Games and gamification projects in the Australian public sector
Australian Journal of Public Administration, EarlyView.Abstract This article surveys the arrival of gameful government into Australian public sector practice. Gameful government is a shorthand, descriptive term denoting the interpenetration of (video)games, and design elements and thinking from them, into public sector work.
David Threlfall, Catherine Althaus
wiley +1 more source
Who remembers the Beatles? The collective memory for popular music. [PDF]
PLoS One, 2019 Spivack S +4 more
europepmc +1 more source
Flaunting of the »High« Popular Music, Taste and Populism in Hungary [PDF]
Emília Barna +1 more
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The Project Ahead: Some Thoughts on Developing a Popular Music Curriculum [PDF]
, 2013 Paul Théberge
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Imagination in Critical Theory: Utopia, Ideology, Aesthetics
Constellations, EarlyView.ABSTRACT This article explores the role of imagination in critical theory, addressing its conceptual ambiguity and its synthesis of three distinct but interrelated strands. The first, rooted in Freud's theory, sees imagination as wish‐fulfillment—necessarily unreal yet foundational to utopian thought.
Markus Gante
wiley +1 more source
Konser Musik di Media: “Common Culture”, Anti-otentisitas dan Budaya Populer
Jurnal Komunikasi, 2016 This article lengthens music concert phenomenon and its reproduction at media. With many perspectives of culture, music concert is reviewed in form of cultural experiences, especially about common culture, media culture, anti authenticity, and popular ...
M. Ridha al Qadri
doaj