Results 31 to 40 of about 2,197 (204)

El camino del espejo y el río de la noche: en torno a la poesía de Teófilo Cid / The road of the mirror and the river of the night: around the poetry of Teófilo Cid [PDF]

, 2017
Este artículo se centra en la obra del poeta chileno Teófilo Cid posterior a su periodo vanguardista y que habitualmente no forma parte del repertorio de la recepción crítica.
Guerrero Valenzuela, Claudio
core   +1 more source

TROPICAL FRENCH THEORY: Henri Lefebvre and the Reinvention of Urban Planning in Havana, Cuba (1968–1971)

International Journal of Urban and Regional Research, EarlyView.
Abstract Contributing to global urban history, planning theory and the geography of ideas, this article discusses the travels of Henri Lefebvre’s The Right to the City in the wake of May 1968, in France. That year, under the direction of Mario González and Max Baquero, a small team including the Italian architect Vittorio Garatti, French planner Jean ...
William Kutz
wiley   +1 more source

Echa awangardy — przypadek Juliana Kornhausera

Zagadnienia Rodzajów Literackich
This article examines the influence of avant-garde poetics on the poetry of one of the representatives of the New Wave — Julian Kornhauser. The text consists of two main parts. The first part explores how the creators of the New Wave perceived the avant-
Magdalena Piotrowska-Grot
doaj   +1 more source

La revista Inimigo Rumor y las prácticas vanguardistas

IdeAs, 2017
The journal Inimigo Rumor, edited by poet Carlito Azevedo, in the 7 Letras publishing house of Rio de Janeiro, between 1996 and 2008, was motivated by the valorization and dissemination of a specific way of doing poetry.
Susana Scramim
doaj   +1 more source

Castorf staging limonov : trangression and neo-totalitarianism at the Berliner Volksbühne [PDF]

, 2014
In 2008, German director, Frank Castorf, staged an adaptation of Eduard Limonov's 1979 novel Fuck Off, Amerika. Limonov's novel scandalized audiences with its description of capitalist excess and nihilism by detailing the exploits of a Soviet dissident ...
Korte, Christine
core   +1 more source

Beyond "East" and "West" through The Eternal Network: Networked artists’ communities as counter-publics of Cold War Europe [PDF]

, 2018
This chapter considers how networked communities of post avant-garde artists in the Cold War period reconceptualised frontiers of mind and territory named “East” and “West”, particularly in Europe.
Hunter, Roddy
core   +1 more source

DECOLONIZING CREATIVE GEOGRAPHIES OF ART BIENNIALS: A Study of Istanbul's Yeditepe Biennial through the Cultural Politics of Turkish Islamic Nationalism

International Journal of Urban and Regional Research, EarlyView.
Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
wiley   +1 more source

Beyond Distinction: Private Art Museums and Their Versatile Role for Elites' (Self)Legitimization Discourses

The British Journal of Sociology, EarlyView.
ABSTRACT The 2000s have witnessed a significant, worldwide boom in new art museums founded by private, wealthy collectors. While the arts have long been a key arena for the remaking of elite distinction and the reproduction of inequalities, this surge in private museums has sparked much controversy.
Sara de Andrade Silva, Kristina Kolbe, Olav Velthuis   +2 more
wiley   +1 more source

Postdramatic Tendencies in Czech Avant-Garde Theatre: Reconsidering the Case of Director Emil František Burian and His Production of "May" (1935)

Pamiętnik Teatralny
This article analyses the production May (1935) by the Czech avant-garde director Emil František Burian, based on the famous Romantic poem by Karel Hynek Macha.
David Drozd
doaj   +1 more source

Avant-Garde, Aestheticization and the Economy

Footprint, 2011
It would very much seem as though the avant-garde in post-war Germany had initially lost sight of the previously politically grounded programmatic narratives. Moreover, it seemed quite obsolete to insist on the destruction of the affirmative.
Michael Müller
doaj   +1 more source