Results 21 to 30 of about 2,197 (204)
The purpose of this article is a stylistic analysis of the musical and artistic tendencies of eighteenth-century German music, in which not only the antitheses of the respective typological achievements, but also their certain diffuse vagueness, their connection with the political background of the convergence of confessional divisions, with a complex ...
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Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks
The early Soviet picturebook arose in an age of propaganda that conceived of children’s literature as a “forgotten weapon” in the battle to train a new populace to inhabit the new post-revolutionary world.
Sara Pankenier Weld
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‘Barbaric Peoples of the Earth’: The Avant-Garde and the Revolt Against Civilisation
Between Vorticism, the post-WW2 Independent Group and the “Cybernetic Serendipity” exhibit of 1968, elements of a working-class internationalism emerge that define both the circumstances of a revolutionary art and its methodology, founded upon a ...
Louis Armand
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Die Leere des Politischen: Null-Texte zwischen Performance und Demonstration
The Political Void: ‘Zero Text’ at the Intersection of Performance and Demonstration This article defines the ‘zero text’ as a text that is completely absent(ed) and is replaced by its own paratext.
Mikhail Pavlovets
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Cultural based preconceptions in aesthetic experience of architecture [PDF]
On a broader scale, the aim of this paper is to examine theoretically the effects a cultural context has on the aesthetic experience of images existing in perceived reality.
Stevanović Vladimir
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Georgij Breitburd and Soviet Reception of Italian Neo-Avant-Garde [PDF]
The article analyzes the Soviet reception of Italian Neo-Avant-Garde (Group 63), including the contribution by Georgij Breitburd, translator, consultant on Italian literature at the Foreign Commission of the Union of Soviet Writers, one of the key ...
Anastasia V. Golubtsova
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Метою дослідження виступає усвідомлення стильової якості Рапсодії А. Вайнена в руслі музично-інструментальної специфіки пост-поставангардного етапу музики, який називаємо «новим академізмом» в межах поставангардного пласта творчості. Методологічною основою висуваємо інтонаційний підхід школи Б. Асаф’єва в Україні, як це склалося у працях
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James Stirling’s post-avant-garde collage: the flatbed picture plane & the pursuit of virtuality
The second decade of the twenty-first century has been distinguished by a renewed interest in James Stirling and his architectural heritage – a sort of ‘James Stirling Renaissance’ – with many authors characterising Stirling predominantly as a late modernist architect.
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Chris Howlett - "Flashbacks" [PDF]
This is a review of Brisbane artist Christopher Howlett's 2009 exhibitions at Metro Arts and the Brisbane Town Hall. The review discusses the artist's use of 'modding' and other digital hacking strategies to explore the ethical dimensions of topics ...
Pennings, Mark W.
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The status of the Romanian literary avant-garde after 2000: from marginalization to recovery
The present paper proposes a theoretical approach related to the critical reception of the Romanian literary avant-garde after 2000, a literary phenomenon in‑between marginalization and recovery tendencies.
Alexandru Foitoș
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