Results 21 to 30 of about 2,197 (204)

German Instrumentalism of the Eighteenth Century in Intersection with the Post-Avant-Garde Heritage of the Present

open access: yesCollection of scientific works “Notes on Art Criticism”, 2023
The purpose of this article is a stylistic analysis of the musical and artistic tendencies of eighteenth-century German music, in which not only the antitheses of the respective typological achievements, but also their certain diffuse vagueness, their connection with the political background of the convergence of confessional divisions, with a complex ...
openaire   +3 more sources

Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks

open access: yesBarnboken: Tidskrift för Barnlitteraturforskning, 2019
The early Soviet picturebook arose in an age of propaganda that conceived of children’s literature as a “forgotten weapon” in the battle to train a new populace to inhabit the new post-revolutionary world.
Sara Pankenier Weld
doaj   +1 more source

‘Barbaric Peoples of the Earth’: The Avant-Garde and the Revolt Against Civilisation

open access: yesOpen Library of Humanities, 2020
Between Vorticism, the post-WW2 Independent Group and the “Cybernetic Serendipity” exhibit of 1968, elements of a working-class internationalism emerge that define both the circumstances of a revolutionary art and its methodology, founded upon a ...
Louis Armand
doaj   +2 more sources

Die Leere des Politischen: Null-Texte zwischen Performance und Demonstration

open access: yesInternationale Zeitschrift für Kulturkomparatistik, 2023
The Political Void: ‘Zero Text’ at the Intersection of Performance and Demonstration This article defines the ‘zero text’ as a text that is completely absent(ed) and is replaced by its own paratext.
Mikhail Pavlovets
doaj   +1 more source

Cultural based preconceptions in aesthetic experience of architecture [PDF]

open access: yes, 2011
On a broader scale, the aim of this paper is to examine theoretically the effects a cultural context has on the aesthetic experience of images existing in perceived reality.
Stevanović Vladimir
core   +1 more source

Georgij Breitburd and Soviet Reception of Italian Neo-Avant-Garde [PDF]

open access: yesStudia Litterarum
The article analyzes the Soviet reception of Italian Neo-Avant-Garde (Group 63), including the contribution by Georgij Breitburd, translator, consultant on Italian literature at the Foreign Commission of the Union of Soviet Writers, one of the key ...
Anastasia V. Golubtsova
doaj   +1 more source

Andre Wainen's Rhapsody for Alto Saxophone and Orchestra or Piano in the Representation of the "New Academicism" of Post-Avant-Garde Art

open access: yesNATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD , 2023
Метою дослідження виступає усвідомлення стильової якості Рапсодії А. Вайнена в руслі музично-інструментальної специфіки пост-поставангардного етапу музики, який називаємо «новим академізмом» в межах поставангардного пласта творчості. Методологічною основою висуваємо інтонаційний підхід школи Б. Асаф’єва в Україні, як це склалося у працях 
openaire   +3 more sources

James Stirling’s post-avant-garde collage: the flatbed picture plane & the pursuit of virtuality

open access: yesArchitectural Research Quarterly, 2021
The second decade of the twenty-first century has been distinguished by a renewed interest in James Stirling and his architectural heritage – a sort of ‘James Stirling Renaissance’ – with many authors characterising Stirling predominantly as a late modernist architect.
openaire   +1 more source

Chris Howlett - "Flashbacks" [PDF]

open access: yes, 2009
This is a review of Brisbane artist Christopher Howlett's 2009 exhibitions at Metro Arts and the Brisbane Town Hall. The review discusses the artist's use of 'modding' and other digital hacking strategies to explore the ethical dimensions of topics ...
Pennings, Mark W.
core   +1 more source

The status of the Romanian literary avant-garde after 2000: from marginalization to recovery

open access: yesSwedish Journal of Romanian Studies
The present paper proposes a theoretical approach related to the critical reception of the Romanian literary avant-garde after 2000, a literary phenomenon in‑between marginalization and recovery tendencies.
Alexandru Foitoș
doaj   +1 more source

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