Results 1 to 10 of about 1,546 (142)
Avangarda poslije avangarde u hrvatskoj poeziji
The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary ...
Branislav Oblučar
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Russian Poetic Neo-avant-garde of the 2nd Half of the 20th Century: On Issue of the Term’s Use Boundaries [PDF]
The article is devoted to the neo-avant-garde literary trend that emerged in the Soviet underground of the 2nd half of the 20th century. The paper states that the use of the term “neo-avant-garde” with respect to post-war avant-garde has already become ...
Mikhail G. Pavlovets
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Artur Daniel Liskowacki i liryka nowoczesna
The subject of the article is the poetry of Artur Daniel Liskowacki. The context of the considerations is the essays of Liskowacki himself and modern aesthetics, especially avant-garde and post-avant-garde.
ANDRZEJ SKRENDO
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Formation of City-like Structures while Ilya Golosov’s Creative Process [PDF]
It’s commonly recognized that Avant-garde creativity begins with almost complete negation and deconstruction of previous cultural background. But examination of architects’ creative work shows that such an act is preceded by their deep study of ...
Adamov Oleg
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« Seigneur, qu’ai-je fait ? » Poètes d’Europe centrale et orientale
Pre- and post- World-War-I Europe saw the emergence of Avant-garde artistic and literary movements (Futurism, Dadaism), which considered art primarily as a form of “doing”, whose power was deemed equivalent to the religious force of sacred formulas ...
Luba Jurgenson
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The Impact of Avant-Garde Art on Brutalist Architecture
Brutalism was an architectural trend that emerged after World War II, and in the 1960s and 1970s, it spread throughout the world. The development of brutalist architecture was greatly influenced by post-war avant-garde art.
Wojciech Niebrzydowski
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Generationsbrud. Avantgardebegrebet før og efter 2. verdenskrig
This article takes as its point of departure the notion that World War II represents a generational breach that resulted in the post-war avant-garde being on the one hand more accessible to the public, and on the other less subversive and radical.
Jens Tang Kristensen
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Post-Avant-Garde and German Neo-Baroque of the 21st Century
The purpose of this work is to identify stylistic clarifications regarding such an all-encompassing and extremely influential direction from the last century as neo-baroque, which was perceived as an offshoot of the overall neoclassicism of the 20th century, taking into account the post-avant-garde contribution from the 1970s and the post-post-avant ...
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The Impossible Avant-garde of Vladan Radovanović
The term nesuđena avangarda (“undestined avant-garde”) was coined by Milorad Belančić to describe Vladan Radovanović’s unique artistic destiny. Although Radovanović was the only truly avant-garde Serbian composer in the post-World War II Yugoslavia, his ...
Ivana Medić
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Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s [PDF]
The article examines the reception of the Russian avant-garde art of the 1910s and 1920s in Soviet non-official art and early post-Soviet art of the 1980s and 1990s, the period when the Russian avant-garde art was widely discovered, followed and/or ...
Lazareva Ekaterina A.
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