Results 131 to 140 of about 4,473,179 (401)
The Soviet Model of Modernity and Russia’s Post-communist Political Transformations [PDF]
Михаил Валентинович Масловский
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Educate to humanize of Max Scheler and the post-modernity of Zygmunt Bauman [PDF]
Virgínia da Silva Ferreira +1 more
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Review of 'The City of Words' by Alberto Manguel. [PDF]
Review of 'The City of Words: Understanding Civilisation Through Story' by Alberto ...
Burger, Paul
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This work introduces photo‐crosslinkable tyraminated poly(vinyl alcohol)‐gelatin (PVA‐GT) hydrogels as tunable injectable platforms for tissue engineering and growth factor delivery applications. This schematic illustrates the two developed hydrogel formulations and the experimental workflow used to evaluate their physico‐chemical properties in vitro ...
Alessia Longoni +15 more
wiley +1 more source
Maffesoli e a "investigação do sentido" - das identidades às identificações
Michel Maffesoli¿s work tries to understand the common man without despising him as something insignificant if compared to the researcher of academic formation.
Eduardo Portanova Barros
doaj
Schematic diagram depicting the fabrication and application of thymosin β4 (Tβ4)‐loaded microneedle patches for wound treatment. The Tβ4 was loaded into chitosan (CS) and sucrose MNs under mild conditions (4°C, 65% relative humidity). The Tβ4 MN patch specifically binds to the downregulated immune regulators Vsig4 and IL22rα2, thereby accelerating ...
Shilong He +4 more
wiley +1 more source
Whose Dharma Is It Anyway? Identity and Belonging in American Buddhist (Post)Modernities [PDF]
Joyce Janca-Aji
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Over half of cancer patients undergo radiotherapy. Laser ablation enabled the synthesis of immiscible Au‐Fe‐B nanoparticles designed as degradable bimodal radiosensitizers for X‐ray radiotherapy (XRT), boron neutron capture therapy (BNCT), and bimodal imaging for X‐ray computed tomography (CT) and magnetic resonance imaging (MRI). These nanosensitizers
Michael Bissoli +15 more
wiley +1 more source
Between the end of the 1950s and the beginning of the 1960s, monochrome painting became a relevant tendency in Italy, crossing post-Spatialist and post-Informal practices.
Giulia Simi
doaj

