Results 1 to 10 of about 556 (73)

Using X‐ray fluorescence to examine ancient Maya granite ground stone in Belize

open access: yesGeoarchaeology, Volume 38, Issue 2, Page 156-173, March/April 2023., 2023
Abstract While ubiquitous among ancient Maya sites in Mesoamerica, archaeological analysts frequently overlook the interpretive potential of ground stone tools. The ancient Maya often made these heavy, bulky tools of coarse‐grained, heterogeneous materials that are difficult to chemically source, unlike obsidian.
Tawny L. B. Tibbits   +4 more
wiley   +1 more source

New Narrative Depths?

open access: yesNordicom Review, 2009
The article aims to tease out an implicit, possibly even instinctive, assumption about why big-budget blockbuster storylines come up short compared to other kinds of culturally sanctioned narratives.
Lavik Erlend
doaj   +1 more source

Clumped Isotope Temperature Reconstruction Using Stalagmite Drip Cups

open access: yesRapid Communications in Mass Spectrometry, Volume 40, Issue 8, 30 April 2026.
ABSTRACT Rationale Application of clumped isotope palaeothermometry to speleothems (carbonate cave deposits, e.g., stalagmites and flowstones) has been restricted largely to subaqueous samples because of kinetic fractionation processes that occur during subaerial speleothem formation, which lead to erroneously high inferred temperatures.
Stuart Umbo   +11 more
wiley   +1 more source
Some of the next articles are maybe not open access.

Digital Media, Artificial Life, and Postclassical Cinema: Condition, Symptom, or a Rhetoric of Funding?

Leonardo, 1998
Technological determinism would argue that the popular cinema is driven by new technologies (especially digital media) in a very straightforward way. Digital imaging, for example, has produced special effects and animations that were unimaginable before computer technology, and audiences are attracted to intellectually empty blockbuster films to ...
Michael Punt
exaly   +2 more sources

Neoclassical or postclassical? Yuji Nomi from animated cinema to animated TV series

2018
The essay centers around the music written for animated works by Yuji Nomi, a contemporary Japanese composer. At a first glance, Nomi’s style seems to pay a generic homage to XX century neoclassicism; however, it is also responding very well to the free cultural contaminations at the core of the audiovisual style of Japanese animation (often read as a “
openaire   +1 more source

Classical and/or Postclassical Narratology

Esprit Createur, 2008
Gerald Prince
exaly  

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