Results 81 to 90 of about 789 (135)
Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre
A review of Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre for 'Comparative Drama' 48.
Brown, Ross
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In this thesis, I examine Vancouver-based, Canadian choreographer and dancer Crystal Pite’s artistic approach as a dance theatre artist with a focus on her multi-award winner work Betroffenheit (2015). Pite founded her dance theatre company Kidd Pivot in
Ozkaya, Olga
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Apocryphal theatre: practicing philosophies
Apocryphal Theatre: Practising Philosophies is a practice-based research project that consists of examples of my theatre practice (as research) and a written thesis.
Barclay, Julia Lee
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Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that ...
Anna Stegh Camati
doaj
The plurality of the theatrical text in a postdramatic tone will be evidenced from the comparison of a selection of texts by Rodrigo García and Sergio Blanco following the incomplete inductive method.
Eduardo Manuel Bravo Tena
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Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre
Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary exile from China, he has assembled a body of dramatic work that has best ...
Mazzilli, Mary
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Text as material? The category of ‘performativity’ in three postdramatic German theatre-texts
This essay investigates the performative possibilities of three German-language plays which may be considered 'postdramatic' (Jeff Koons by Rainald Goetz; The Making of. B Movie by Albert Ostermaier; and der mund ist aufgegangen by Ginka Steinwachs). The
David Barnett (367464)
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The oscillation between dramatic and Postdramatic Theatre: Mark Ravenhill's Shopping and F∗∗∗ing
Drama and theatre, which are distinctive forms of art, stand among those concepts which are often used interchangeably regardless of their uniqueness. In order to contextualize and reassess this relationship between drama and theatre, Hans-Thies Lehmann,
Izmir,S.
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