Results 71 to 80 of about 168 (108)
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An Enemy of Postdramatic Theatre? Or, What I Think About When I Think About Teaching Postdramatic Theatre

2018
This articulates a set of anxieties about teaching postdramatic theatre through a reading of Thomas Ostermeier’s adaptation of Henrik Ibsen’s An Enemy of the People. It offers a final assessment of the utility and strengths of Lehmann’s concept of postdramatic theatre with particular reference to questions of pedagogy, politics and aesthetics.
Glenn D'Cruz, D’Cruz Glenn
exaly   +2 more sources

Postdramatic Theatre and India

2022
This book revisits Hans-Thies Lehmann’s theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American model of postdramatic theatre, but many have used its vocabulary and ...
openaire   +1 more source

Postdramatic Theatre and Form

2019
Postdramatic theatre is an essential category of performance that challenges classical elements of drama, including the centrality of plot and character. Tracking key developments in contemporary European and North American performance, this collection redirects ongoing debates about postdramatic theatre, turning attention to the overlooked issue on ...
Clare Finburgh   +6 more
openaire   +1 more source

Postdramatic Theatre and the Political

2013
Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn ...
Karen Jürs-Munby   +2 more
openaire   +1 more source

Beyond Drama: Writing for Postdramatic Theatre

Theatre Research International, 2004
The article begins with a short description of the current situation in Polish theatre where the traditional understanding of a dramatic text has made the reception of formally innovative European playwriting difficult. On the basis of recent German plays by Rainald Goetz, Dea Loher and Roland Schimmelpfennig, which have been translated into Polish and
openaire   +1 more source

Postdramatic Theatre

Theatre Research International, 2020
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Postdramatic Theatre

Theatre Research International, 2006
openaire   +2 more sources

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