Results 51 to 60 of about 789 (135)

Il teatro secondo Badiou

Mimesis Journal, 2017
This article reconstructs the key passages of the theory of theatre elaborated by French philosopher Alain Badiou. A particular attention is dedicated to four texts: Rapsody for the theatre (the heftiest of the eight essays included in the collection ...
Francesco Chillemi
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Unstable acts : a practitioner's case study of the poetics of postdramatic theatre and intermediality

, 2007
This practice-led research enquiry examines the form and experience of postdramatic theatre and intermediality. Through three practice-led enquiry cycles, the performance, Unstable Acts, was created.
Fenton, David Raymond
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Rupturas del pacto escénico: narrativa y discurso en el teatro de Angélica Liddell

Telondefondo : Revista de Teoría y Crítica Teatral, 2014
El teatro de Angélica Liddell se ha constituido en un referente de la escena española gracias al éxito internacional de sus arriesgadas propuestas. Desde un posicionamiento fuertemente poético arremete contra las instituciones sociales partiendo de su yo
Mario de la Torre Espinosa
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'Knowledge and taste go together': postdramatic theatre, Écriture féminine, and feminist politics [PDF]

, 2016
This article contributes to the emerging field of feminist approaches to postdramatic theatre. Through documenting and discussing my practice-as-research performance Rings, I suggest that there is an analogous relationship between postdramatic poetics ...
Berger, Cara; id_orcid, Berger, Cara
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Slaughtering, skinning, stripping

The European Journal of Humour Research
GDR playwright Heiner Müller (1929-1995) is famous for the dark, carnivalesque humour of his plays, mostly dealing with German historical traumas. To approach the complexity of Müllerian theatrical texts, this article focuses on a salient form of their ...
Bruno Dupont, Lison Jousten
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Performing Shakespeare in Contemporary Japan: The Yamanote Jijosha’s The Tempest

Multicultural Shakespeare, 2016
In considering the Yamanote Jijosha’s The Tempest, this paper explores the significance of performing Shakespeare in contemporary Japan. The company’s The Tempest reveals to contemporary Japanese audiences the ambiguity of Shakespeare’s text by ...
Emi Hamana
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From designer through space to spectator : tracking an imaginative exchage between the actants of a scenographic event

, 2013
Includes bibliographical references.The aim of this enquiry is to deepen the understanding of the author's practice as theatre designer, scenographer and visual dramaturge in a postdramatic milieu.
Louw, Illka
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In the shade we stumble

Mimesis Journal, 2013
The moment of presence in the art of acting in the contemporary theatre is in the postdramatic theatre confronted with a redefinition of mimesis. Very often one can witness how contemporary performances draw upon historical events and perspectives.
Annelis Kuhlmann
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From Author to Data Processor in Postdramatic Theatre: Crash Testing the Classics? [PDF]

Hybrid, 2018
Despite the dominance of the model of the romantic Genius in individual and educational writing practices in dramatic theater, postdramatic theater is gradually changing the status, materialities and functions of the text and of authorship. Authorship is dispersed and relocated, opened up to a range of authorial models “from Author to Data Processor ...
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Livegraphy performance art, language, and the multiplicity of sense

, 2010
PhDThis thesis is constructed in three parts. Each one of them offers a reflection on the common ideas disseminated about Live Art, conceptual dance and postdramatic theatre, i.e.
Easton, Léonore
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