Results 41 to 50 of about 404,392 (128)

How to '(not) Arrive': Hélène Cixous's and Sara Stridsberg's drama vs. appropriation

open access: yesBrünner Beiträge zur Germanistik und Nordistik, 2022
In answer to Cara Berger, this article examines how Hélène Cixous's play Portrait de Dora and Sara Stridsberg's play Valerie ska bli president i Amerika approach as examples of feminist drama (and in case of Cixous, also an example of feminist ...
Romana Švachová
doaj   +1 more source

The Theatre Artist Today: From Stage to Agora and Public Spaces [PDF]

open access: yesJurnalul Artelor Spectacolului
This article explores the necessity of redefining the contemporary actor’s role within today’s complex social and institutional ecosystems. It proposes a model for the “new theatre artist” - one who acts simultaneously as creator, mediator, and citizen -
Vicențiu Rahău
doaj   +1 more source

The Resistant Text in Postdramatic Theatre: Performing Elfriede Jelinek's ‘Sprachflächen’

open access: yes, 2009
This article places stagings of theatre texts by Austrian writer Elfriede Jelinek in the wider theoretical context of the relationship between text and performance in postdramatic theatre.
Juers-Munby, Karen, Karen Jürs-Munby
core   +5 more sources

BEYOND SUFFERING: THE SEARCH FOR GRACE IN SARAH KANE’S "CRAVE" [PDF]

open access: yesЕзиков свят
This article reconceives Sarah Kane’s Crave as a postsecular liturgical poetics organized around weak grace. Rather than treating postdramatic fragmentation as anti-form, I theorize the play’s vocative loops, interdictions, and recurrences as a ...
Ali Salami
doaj   +1 more source

The Transylvanian Postdramatic Theatre of Radu Afrim

open access: yesTheatron, 2023
One of the leading figures of contemporary Romanian theatre, director Radu Afrim, has been working with Hungarian companies for more than a decade, producing more than a dozen performances, which has its own significance under the circumstances that in his director’s theatre, the text is never taken for granted, be it a pre-existing and pre-chosen ...
openaire   +1 more source

Notes on Light: The Musicality of Light and Theatre

open access: yesCritical Stages, 2020
Light is a major visual element in theatre but remains subordinated to texts in dramatic theatre. With the development of the concept of postdramatic theatre, the potentialities of light in theatre, particularly the musicality of light, open up.
Amy Chan
doaj  

Blurring the Borders between Life and Theatre in the Stage Directing of Vladislavs Nastavševs / Elu ja teatri vahelise piiri hägustumine Vladislavs Nastavševsi lavastustes

open access: yesMethis: Studia Humaniora Estonica, 2018
Vladislavs Nastavševs is one of the leading contemporary Latvian theatre directors. Nastavševs’ stage productions are constructed by combining elements of psychological theatre, performance art and postdramatic theatre, deliberately expanding the ...
Ieva Rodiņa
doaj   +1 more source

'Knowledge and taste go together': postdramatic theatre, Écriture féminine, and feminist politics [PDF]

open access: yes, 2016
This article contributes to the emerging field of feminist approaches to postdramatic theatre. Through documenting and discussing my practice-as-research performance Rings, I suggest that there is an analogous relationship between postdramatic poetics ...
Berger, Cara; id_orcid, Berger, Cara
core   +1 more source

Postdramatic theatre and the political : international perspectives on contemporary performance

open access: yes, 2013
Is postdramatic theare political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aestetics and politics in new forms of theatre, playwriting, and performance?
Carroll, Jerome   +2 more
core   +3 more sources

Recenzja książki «The Routledge Companion to Puppetry and Material Performance»

open access: yesPamiętnik Teatralny, 2016
This review presents The Routledge Companion to Puppetry and Material Performance as a valuable publication on puppet theatre, and a selection of papers delivered at the Puppetry and Postdramatic Performance International Conference on Performing Objects
Henryk Jurkowski
doaj   +1 more source

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