Results 21 to 30 of about 168 (108)

Postdramaatiline teater ja autobiograafiline lavastus sotsiaalses kontekstis. Postdramatic Theatre and Autobiographical Performance in Its Social Context

Methis: Studia Humaniora Estonica, 2010
What is the relationship of postdramatic theatre--and more specifically autobiographical performance--to societal and cultural contexts within which they have emerged? This is the question I examine in this article.
Anneli Saro
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FROM THE ‘POSTTRAUMATIC’ TO THE ‘TRANSTESTIMONIAL’: DORON RABINOVICI'S DIE LETZTEN ZEUGEN (2013) AS A CORPOREAL TOPOGRAPHY OF DISCURSIVE AND EMOTIVE HOLOCAUST MEMORY

German Life and Letters, Volume 72, Issue 4, Page 522-540, October 2019., 2019
ABSTRACT This article explores the theatrical witness project Die letzten Zeugen (2013) by the Austrian writer Doron Rabinovici as an example of a methodological transition in Testimony Studies, one which shifts the focus from psychoanalytic engagement with the survivors’ experiences towards a collective approach to testimony at the end of the so ...
Sanna Stegmaier
wiley   +1 more source

Between (in)Visible Influences and (Im)Pure Traditions: Hybrid Character of the Postdramatic in Lithuanian Theatre

Meno Istorija ir Kritika, 2019
Lithuanian theatre has always been known for its visual metaphors and dramaturgy of directorial images, where the language of literary text is translated into visual metaphors created on stage by a director.
Staniškytė Jurgita
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Community With Shared Differences: Solo Performance in Pat Kinevane’s Silent and Panti’s A Woman in Progress

ABEI Journal, 2023
Solo performance is a theatrical form which has been increasingly popular in contemporary Irish theatre with the rise of individualism. This paper takes the works of two representative solo performers in contemporary Irish theatre, Pat Kinevane and Panti
Zixin Huang
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Notes on postdramatic theatre’s death [PDF]

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 2020
For many years drama theatre has been accepted almost as a synonym for the theatre itself, but at the beginning of the 20th century scenic art became enmeshed in firmly embraced stereotypes. A number of stage directors and theatre theorists were engaged in discussion about the crisis in drama and began to develop new scenic forms. Towards the middle of
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Fragmented Realities, Challenged Meanings: A Reading of Jon Fosse’s Dream of Autumn as a Postdramatic Play

Theatre Academy
The approach to theatre-making observed an aesthetic and philosophical shift in the late 20th century. Hans-Thies Lehmann, in his book Postdramatic Theatre (1999), states that unlike the drama of modern times, the postdramatic theatre centres on a human ...
Shuchi Sharma, Shubhangi Srivastava
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Books about postdramatic theatre [PDF]

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 2020
The review considers three books on post-dramatic theatre (in various studies it is also called anti-mimetic, radical, post-modern theatre, metatheatre, etc.). Different concepts of post-dramatic theatre are brought together by what may be considered as experiments per se, overcoming or problematizing genre and media boundaries, neutralizing binary ...
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Actors of Becoming. Aristotle and the new mimesis’ profils

Nóema, 2013
A new critical reading of Aristotle’s Poetics help us to focus in a different way the debate about Aritotleism and anti-Aristotleism in XX century’s theatre.
Antonio Attisani
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La drammaturgia della partecipazione nel mondo digitale

Mimesis Journal, 2017
The essay discusses the new book of Andy Lavender (Performance in the Twenty-first Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and
Antonio Pizzo
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Heiner Goebbels's Stifters Dinge and the Arendtian Public Sphere

Performance Philosophy, 2019
Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or ...
Luke Matthews
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