Results 21 to 30 of about 404,392 (128)

«Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka

Pamiętnik Teatralny, 2017
This article undertakes a reading of Tadeusz Różewicz’s open theatre, particularly The Interrupted Act and The Card Index, in accordance with the sequence defined in the subtitle: postdramatic theatre, atheism, and politics.
Marcin Kościelniak
doaj   +1 more source

Deconstructing Character and Identity In Martin Crimp's Attempts on Her Life

Al-Mağallah Al-ʿilmiyyaẗ Li Kulliyyaẗ Al-Adāb - Ǧāmiʿaẗ Asyūṭ, 2020
This research examines Martin Crimp's masterpiece Attempts on Her Life as an exemplary instance of postdramatic writing. It investigates the ways in which this play can be considered postdramatic through discussing the postdramatic values incorporated ...
Basma Ramadan
doaj   +1 more source

Postdramaatiline teater ja autobiograafiline lavastus sotsiaalses kontekstis. Postdramatic Theatre and Autobiographical Performance in Its Social Context

Methis: Studia Humaniora Estonica, 2010
What is the relationship of postdramatic theatre--and more specifically autobiographical performance--to societal and cultural contexts within which they have emerged? This is the question I examine in this article.
Anneli Saro
doaj   +1 more source

FROM THE ‘POSTTRAUMATIC’ TO THE ‘TRANSTESTIMONIAL’: DORON RABINOVICI'S DIE LETZTEN ZEUGEN (2013) AS A CORPOREAL TOPOGRAPHY OF DISCURSIVE AND EMOTIVE HOLOCAUST MEMORY

German Life and Letters, Volume 72, Issue 4, Page 522-540, October 2019., 2019
ABSTRACT This article explores the theatrical witness project Die letzten Zeugen (2013) by the Austrian writer Doron Rabinovici as an example of a methodological transition in Testimony Studies, one which shifts the focus from psychoanalytic engagement with the survivors’ experiences towards a collective approach to testimony at the end of the so ...
Sanna Stegmaier
wiley   +1 more source

Community With Shared Differences: Solo Performance in Pat Kinevane’s Silent and Panti’s A Woman in Progress

ABEI Journal, 2023
Solo performance is a theatrical form which has been increasingly popular in contemporary Irish theatre with the rise of individualism. This paper takes the works of two representative solo performers in contemporary Irish theatre, Pat Kinevane and Panti
Zixin Huang
doaj   +1 more source

Collective Improvisation: The Practice and Vision of Ingemar Lindh [PDF]

, 2008
Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work.
Camilleri, Frank, Frank Camilleri
core   +1 more source

Between (in)Visible Influences and (Im)Pure Traditions: Hybrid Character of the Postdramatic in Lithuanian Theatre

Meno Istorija ir Kritika, 2019
Lithuanian theatre has always been known for its visual metaphors and dramaturgy of directorial images, where the language of literary text is translated into visual metaphors created on stage by a director.
Staniškytė Jurgita
doaj   +1 more source

Notes on postdramatic theatre’s death [PDF]

Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, 2020
For many years drama theatre has been accepted almost as a synonym for the theatre itself, but at the beginning of the 20th century scenic art became enmeshed in firmly embraced stereotypes. A number of stage directors and theatre theorists were engaged in discussion about the crisis in drama and began to develop new scenic forms. Towards the middle of
openaire   +1 more source

Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre

, 2015
A review of Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre for 'New Theatre Quarterly 31.
Brown, Ross
core   +1 more source

Audio description for (postdramatic) theatre. Preparing the stage

JoSTrans: The Journal of Specialised Translation, 2018
Audio description (AD) is a specific form of media accessibility for all and especially for blind and visually impaired people. The service can be pre-recorded or delivered live.
Hanne Roofthooft, Aline Remael, Luc Van de Dries   +2 more
doaj   +1 more source