Results 11 to 20 of about 168 (108)
Postdramatic Characterization in the Liminal Space of the Contemporary Theatre
Naqd-i Zabān va Adabīyyāt-i Khārijī, 2016 Drama has staged, presented, represented, and performed different concepts of subjectivity, throughout history. Many theoreticians believe in the mutual interdependence between modern drama’s structural and stylistic innovations and the major changes in ...
رویا پورآذر +1 more
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Curator: The Museum Journal, Volume 66, Issue 4, Page 647-663, October 2023., 2023 Abstract This contribution explores the relationship between performance and art museum practice, through a creative practice‐led approach, as part of a collaboration with MUVE, Fondazione dei Musei Civici in Venice. The focus here is on the exploration of performance opportunities embedded in the museography of the case study institutions ...
Jacek Ludwig Scarso
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German Life and Letters, Volume 74, Issue 4, Page 551-570, October 2021., 2021 ABSTRACT This article focuses on Julie Paucker and Robert Schuster's ‘MALALAI – Die afghanische Jungfrau von Orléans’ (2017), paying special attention to the constructions and contestations of gender and nation in this recent re‐working of Schiller's Die Jungfrau von Orleans (1801). Paucker radically re‐configures Schiller's play, whose engagement with
Cordula Böcking
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Transformative Potential and Utopian Performative: Postdramatic Hamlet in Turkey
Multicultural Shakespeare, 2022 Turkey is among those Non-Anglophone countries which have had a keen interest in Shakespeare and his plays for over two hundred years. When it comes to the staging of Shakespeare in Turkey, especially when protagonists or leading roles are considered ...
Sibel İzmir
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CoSMO, 2022 Upon his recent death, this article revisits the major contributions of Dr. Hans-Thies Lehmann to contemporary debates on theatre aesthetics. Lehmann’s concept of a postdramatic theatre—that is, a theatre that has moved beyond the central importance of ...
Joseph Cermatori
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Respectus Philologicus, 2016 The article analyses the transformations of the genre of drama in the context of the postdramatic theatre. Contrary to the affirmations of Hans-Thies Lehmann, the main theoretician of the postdramatic theatre, a text of a drama is not always only one of ...
Ina Pukelytė
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Staging Scores: Devising Contemporary Performances from Classical Music
Open Library of Humanities, 2022 In this article, Egan and Pinchbeck combine Postdramatic Theatre (Lehmann, 2006), Composed Theatre (Rebstock and Roesner, 2012) and Score Theatre (Spagnolo, 2017) to address the representation of classical music in two separate contemporary performances ...
Kevin Egan, Michael David Pinchbeck
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Contemporary Drama and the Question of the Neo-avant-garde Legacy of the 1960s and 1970s [PDF]
Amfiteater, 2023 To some extent, contemporary drama is the heir of the neo-avant-garde of the late 1960s and 1970s. This time was that of the so-called performative turn, which pulled theatre away from representation and towards presentation.
Gašper Troha
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«Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka
Pamiętnik Teatralny, 2017 This article undertakes a reading of Tadeusz Różewicz’s open theatre, particularly The Interrupted Act and The Card Index, in accordance with the sequence defined in the subtitle: postdramatic theatre, atheism, and politics.
Marcin Kościelniak
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Deconstructing Character and Identity In Martin Crimp's Attempts on Her Life
Al-Mağallah Al-ʿilmiyyaẗ Li Kulliyyaẗ Al-Adāb - Ǧāmiʿaẗ Asyūṭ, 2020 This research examines Martin Crimp's masterpiece Attempts on Her Life as an exemplary instance of postdramatic writing. It investigates the ways in which this play can be considered postdramatic through discussing the postdramatic values incorporated ...
Basma Ramadan
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