Results 51 to 60 of about 7,952 (230)
Cultural geography has a long tradition of embracing video as both an observational method and a form of public engagement with research findings. In this article, we describe the making of Posthuman Landscapes, a silent film composed of moving panoramic
Straughan, E, Boyd, CP
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The study contributes to the nascent digital academic writing tutoring field by applying posthuman thinking while investigating intimate socio-material relations during a participatory action research project. Due to the COVID-19 pandemic (2020–2021), on-
Charlotta Hilli, Sofia Jusslin
doaj
Enchanting the Otherwise: Magical Realism and the Gendered Ontologies of Organizational Becoming
ABSTRACT This paper enacts a feminist‐posthumanist reimagining of gender as ontological disturbance, using magical realism not as metaphor but as epistemological method. Rejecting representational logics and the managerial rationalities of organizational realism, we advance gender not as identity or role but as spectral interference—a transversal ...
Max Ganzin, Diana Ivanycheva
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Abstract Ancient ideas about human transformation and divinization have resurfaced in our cultural moment. Artificial intelligence and biotechnology are raising afresh questions about what it means to be human and divine. The Oxford Handbook of Deification has arrived on the scene as its subject matter has splashed out of theological discourse into the
Andrew J. Byers
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Posthumanism and Cybernetic Art: An Esthetic Exploration of Technology and Human Identity
ABSTRACT Posthumanism is a contemporary intellectual movement that redefines the relationship between humans, technology, biology, and culture. While questioning the traditional humanist perspective that places humans at the center of the universe, it also examines the transformative effects of technology on human identity.
Evren Kavukcu
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‘Posthuman’ is a multivalent and multidisciplinary term that references a complex, sometimes conflicted reconceptualization of the body and subjectivity resulting from developments in biology, technology and ecology, which highlight human animals as ...
A DeFalco (16194698) +1 more
core
If the primary human rights preoccupation of mainstream film and television is the ethical status of the human, the film Splice with biotech themes (Vincenzo Natali, 2009) is far more interested in the ontological status of the human. The article claims
Steen Christiansen
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Abstract Richard Powers's most recent novels to date—The Overstory (2018), Bewilderment (2021), and Playground (2024)—engage with some of the environmental and technological threats that loom over our planet, such as deforestation, species loss, the degradation of the ocean bottom, and the risks associated with the development of generative AI ...
Carmen Laguarta‐Bueno
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우리에게 기술이란 무엇인가? 본 논문은 기술을 포스트휴머니즘의 관점에서 이해하려는 시도로, 기술이 인간과 함께 오랜 기간 공진화했으며, 지금 이 순간에도 서로를 만들면서 진화하는 반려종으로 생각해 볼 수 있음을 제안한다. 기술을 이렇게 보는 것을 필자는 포스트휴먼 테크놀로지라고 부를 것인데, 이 관점에 의하면 기술에 대한 이해는 인간에 대한 이해로 연결되며, 인간에 대한 이해는 기술에 대한 이해를 필수적으로 수반한다.
홍성욱
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Abstract This article presents the concept “constructive alienation” as a response to the oversaturation of apocalyptic environmental fiction that has contributed to deep‐seated desensitization toward the climate crisis, resulting in crisis of imagination (Ghosh, The Great Derangement: Climate change and the unthinkable, 2016; Solnit, If you win the ...
Agnethe Brounbjerg Bennedsgaard
wiley +1 more source

