Results 41 to 50 of about 173,391 (109)
Nikolay Karamzin’s History in Fyodor Dostoevsky’s Novel The Idiot [PDF]
Достоевский и мировая культура: Филологический журналThe article explores the influence of Nikolay Karamzin’s History of the Russian State (1818–1829) on Fyodor Dostoevsky’s novel The Idiot (1868–1869). Karamzin’s historical and literary work significantly shaped Dostoevsky’s worldview from childhood and ...
Nikolay N. Podosokorsky
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Lev Myshkin and Sonya Marmeladova in a Post-Apocalyptic World. Vyacheslav Butusov’s Fantasies on Dostoevsky [PDF]
Достоевский и мировая культура: Филологический журналThe paper analyzes the artistic impact of Dostoevsky’s novel The Idiot on Vyacheslav Butusov, Vladimir Ponomaryov, and Konstantin Komardin, the creators of an animated music video.
Liudmila I. Saraskina
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Space Beyond Time: The Tenth Chapter of The Apocalypse in the Crucial Metaphysical Scene of The Idiot [PDF]
Studia LitterarumThe article examines the central metaphysical scene of The Idiot, marked by events from the strange “capture” of a knife lying on the table by Myshkin, which Rogozhin takes away from him twice, becoming increasingly irritated, to the moment when this ...
Tatiana A. Kasatkina
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The Motive of Duty and Kantian Moral Worth
Philosophical Investigations, Volume 49, Issue 4, Page 349-361, October 2026.ABSTRACT In this article, it is argued that action from duty has special moral worth on Kant's account because (i) it is an instance of good willing, and (ii) the good will is the only unconditional good. This is used to argue, contrary to various commentators, that Kant's doctrine of moral worth is central, not only to Kantian ethics, but to any ...
Samuel Kahn
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Russian History by Sergey Solovyov in Fyodor Dostoevsky’s Novel The Idiot [PDF]
Достоевский и мировая культура: Филологический журналFor the first time in Dostoevsky studies, the article examines the influence of the historical works of the eminent Russian scholar, professor at the Imperial Moscow University Sergey Solovyov (1820-1879), on the novelist’s work.
Nikolay N. Podosokorsky
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Disintegration, Salvation, and/or Madness in Dostoevsky
International Journal of Applied Psychoanalytic Studies, Volume 23, Issue 1, March 2026.ABSTRACT Psychological fragmentation and derangement suffuse Dostoevsky's fiction. This paper argues that the madness of Dostoevsky characters derives from intense wounds to the self: humiliating lacerations that impel fugue and disintegration. Such vulnerable, frangible characters seek to escape and deny themselves to avoid being seen for who they are.
Jerry Piven
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, 2023 Data to replicate the structural characterization in Prince E. et al, PNAS (2023)
Prince, Elisabeth
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Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2015 The images of righteous people in their love for creation in F. M. Dostoyevsky’s work (Prince Myshkin, Makar Ivanovich, Markel, Zosima) are considered in the minor time (the writer’s epoch) and the major time (M. M.
Aleksandr Aleksandrovich Medvedev
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The influence of Don Quixote by Miguel de Cervantes on the Prince (Knyaz) Myshkin by Fyodor Dostoyevsky [PDF]
, 2019 Bakalářská práce zkoumá vliv španělského spisovatele Miguela de Cervantese na ruskou literaturu. Práce se zaměřuje na na interpretaci a obraz dona Quijota, především v dílech ruského spisovatele Fjodora Dostojevského.
Nikitina, Elena
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Letter from F.T Prince to John Lehmann, March 29, [1940]
, 1940 Correspondence between Frank Templeton Prince (British poet and academic) and John Lehmann (English poet and man of letters, founder of the periodicals "New Writing" and "The London Magazine" and the publishing house "John Lehmann Limited").
Prince, F. T. (Frank Templeton), 1912-2003
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