Results 71 to 80 of about 185 (105)
Truth and Identity in Dostoevsky’s Raskolnikov and Prince Myshkin
Situated in the context of Bakhtin’s understanding of Dostoevsky’s narrative structure, the goal of this thesis aims to analyze the ways in which Dostoevsky’s characters negotiate their identities through a dialogic process of truth-telling as it appears
Walker, Gwendolyn
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Die Weisheit eines Fallsüchtigen: Über Dostojewskijs "Der Idiot"
In F. Dostojewskis Roman Der Idiot steht die Figur des verarmten und unter epileptischen Anfällen leidenden Fürsten Myschkin, der unverkennbar an die Gestalt von Jesus Christus erinnert, aber auch Züge der Schiller'schen schönen Seele trägt, im Zentrum ...
Brittnacher, Hans Richard
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Levinas’s “Face” and “Other” in The Idiot: Embodiment and Betrayal
If we accept Vinokurov’s claim of the “series of face-to-face encounters,” then The Idiot should display Levinas’s principles, as well. In fact, of Dostoevsky’s works, The Idiot may be the best representative of Levinas’s theory of the face.
Vinchur, Hannah
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Образ А. Блока в книге А. Ремизова «Учитель музыки»
The problem under investigation is inner literary kinship between the main character of A. Remizov’s «Teacher of Music» and the lyrical hero of Blok. According to Remizov the latter may be derived from such characters as Don Quixote and Prince Myshkin. =
Блищ, Н. Л.
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Drogocenność istoty ludzkiej. Na podstawie powieści Fiodora Dostojewskiego Idiota
In my text, I address the problem of the relationship between the understanding that motivates morally good conduct and the concept of human preciousness, introduced by Raimond Gaita.
Głąb, Anna
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Myshkin and Lebedev: On "Good’s Fools" and Buffoons in "The Idiot"
In this paper the hero of Dostoevskij's novel “The Idiot”, Prince Myškin, is compared to a more humble character of that book, Luk'jan Lebedev, with special regard to their religious teaching and the Russian notions of “jurodivyj” (“God’s fool”) and “šut”
Egeberg, Erik
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Na dinâmica intertextual entre os Evangelhos bíblicos e O Idiota, entre Cristo e Míchkin, a literatura e o sagrado se revelam, como uma presença divina e humana. Nas cenas e na estruturação do enredo que compõe o romance, Cristo se manifesta nas ações de
Golin, Luana Martins
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Phenomenon of transforming love in the works of F.М. Dostoyevsky
В статье выявлено содержание феномена преображенной любви в творчестве Ф.М. Достоевского на материалах романа «Идиот». Проблеме анализа феномена любви в творчестве Ф.М. Достоевского посвящено множество философских исследований. Большинство исследователей
Shatalovich, A. M., Boyko, I. V.
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«Дон Кихот» в романе Ф.М.Достоевского о «положительно-прекрасном человеке»
The image of Don Quixote influenced very strong on the Russian literature about 19-20 centuries. In this article we could find a comparison between two images: Don Quixote (by Miguel de Cervantes) and prince Myshkin (by F.M.Dostoevsky «Idiot») on level ...
Jromova, Olga Andreevna
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LABIRYNTY MYSZKINA (PODRÓŻ SZESTOWOWSKA)
The aim of the paper is to present prince Myshkin’s highly complex, almost labyrinthinepersonality. Reading addresses and undermines all the homogenizing interpretations(e.g. Lev Shestov’s notoriously malevolent reading of Myshkin) that aimat discovering
Kruszelnicki, Michał
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