Results 71 to 80 of about 185 (105)

Truth and Identity in Dostoevsky’s Raskolnikov and Prince Myshkin

open access: yes, 2022
Situated in the context of Bakhtin’s understanding of Dostoevsky’s narrative structure, the goal of this thesis aims to analyze the ways in which Dostoevsky’s characters negotiate their identities through a dialogic process of truth-telling as it appears
Walker, Gwendolyn
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Die Weisheit eines Fallsüchtigen: Über Dostojewskijs "Der Idiot"

open access: yes, 2023
In F. Dostojewskis Roman Der Idiot steht die Figur des verarmten und unter epileptischen Anfällen leidenden Fürsten Myschkin, der unverkennbar an die Gestalt von Jesus Christus erinnert, aber auch Züge der Schiller'schen schönen Seele trägt, im Zentrum ...
Brittnacher, Hans Richard
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Levinas’s “Face” and “Other” in The Idiot: Embodiment and Betrayal

open access: yes, 2015
If we accept Vinokurov’s claim of the “series of face-to-face encounters,” then The Idiot should display Levinas’s principles, as well. In fact, of Dostoevsky’s works, The Idiot may be the best representative of Levinas’s theory of the face.
Vinchur, Hannah
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Образ А. Блока в книге А. Ремизова «Учитель музыки»

open access: yes, 2011
The problem under investigation is inner literary kinship between the main character of A. Remizov’s «Teacher of Music» and the lyrical hero of Blok. According to Remizov the latter may be derived from such characters as Don Quixote and Prince Myshkin. =
Блищ, Н. Л.
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Drogocenność istoty ludzkiej. Na podstawie powieści Fiodora Dostojewskiego Idiota

open access: yes, 2016
In my text, I address the problem of the relationship between the understanding that motivates morally good conduct and the concept of human preciousness, introduced by Raimond Gaita.
Głąb, Anna
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Myshkin and Lebedev: On "Good’s Fools" and Buffoons in "The Idiot"

open access: yes, 2004
In this paper the hero of Dostoevskij's novel “The Idiot”, Prince Myškin, is compared to a more humble character of that book, Luk'jan Lebedev, with special regard to their religious teaching and the Russian notions of “jurodivyj” (“God’s fool”) and “šut”
Egeberg, Erik
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Cristo no romance “O Idiota”

open access: yes, 2016
Na dinâmica intertextual entre os Evangelhos bíblicos e O Idiota, entre Cristo e Míchkin, a literatura e o sagrado se revelam, como uma presença divina e humana. Nas cenas e na estruturação do enredo que compõe o romance, Cristo se manifesta nas ações de
Golin, Luana Martins
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Phenomenon of transforming love in the works of F.М. Dostoyevsky

open access: yes, 2013
В статье выявлено содержание феномена преображенной любви в творчестве Ф.М. Достоевского на материалах романа «Идиот». Проблеме анализа феномена любви в творчестве Ф.М. Достоевского посвящено множество философских исследований. Большинство исследователей
Shatalovich, A. M., Boyko, I. V.
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«Дон Кихот» в романе Ф.М.Достоевского о «положительно-прекрасном человеке»

open access: yes, 2012
The image of Don Quixote influenced very strong on the Russian literature about 19-20 centuries. In this article we could find a comparison between two images: Don Quixote (by Miguel de Cervantes) and prince Myshkin (by F.M.Dostoevsky «Idiot») on level ...
Jromova, Olga Andreevna
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LABIRYNTY MYSZKINA (PODRÓŻ SZESTOWOWSKA)

open access: yes, 2017
The aim of the paper is to present prince Myshkin’s highly complex, almost labyrinthinepersonality. Reading addresses and undermines all the homogenizing interpretations(e.g. Lev Shestov’s notoriously malevolent reading of Myshkin) that aimat discovering
Kruszelnicki, Michał
core   +1 more source

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