Results 11 to 20 of about 4,424 (155)

On the Feasibility of Integrating the Concept of Contemporary Green Environment Development in Creating Screen Prints by Digital Means.

open access: yesJ Environ Public Health, 2022
In the 21st century with the popularization of digital technology, as a printmaking born out of industrial printing, it has undergone a revolutionary evolution. Silkscreen printmaking is a type of print with high technology content, strong dependence on media, and no traditional load.
Xue L.
europepmc   +2 more sources

Analysis of the Natural Conditions and Geographical Factors of the Formation of Hui-Style Prints.

open access: yesJ Environ Public Health, 2022
In order to analyze the natural conditions and geographical factors of the formation of Hui‐style prints, big data analysis technology is brought in, through which more audiences can understand the true meaning of Hui‐style printmaking, the internal system of Hui‐style printmaking during its operation can be improved, and artists can complete the ...
Li S.
europepmc   +2 more sources

Image Layout and Schema Analysis of Chinese Traditional Woodblock Prints Based on Texture and Color Texture Characteristics in the Environment of Few Samples.

open access: yesComput Intell Neurosci, 2022
Technology is the means by which all arts, including woodblock prints, are realized. The “kinship” with modern science and technology makes the development history of woodcut art that can also be understood as a technology history. The purpose of the texture expression produced in the creation of contemporary woodcut is to explore the rich texture ...
Yue X.
europepmc   +2 more sources

On the Visual Construction of Environmental Factors in Modern Art Works from the Perspective of Painting Art.

open access: yesJ Environ Public Health, 2022
Since the twenty‐first century, with the continuous improvement of economic life, people have higher and higher requirements for life at present. Therefore, exploring better environmental art design has become a key concern of many people. This kind of environmental design can rely on the development of modern art in China.
Gong S.
europepmc   +2 more sources

Foul Biting, or Diego Valadés and the Medium of Print

open access: yesArt History, Volume 46, Issue 5, Page 866-895, November 2023., 2023
Published in 1579 in Perugia, Diego Valadés's Rhetorica christiana is best known today as the first illustrated publication to show evangelisation efforts in the Americas to audiences across the Atlantic. Yet too often the Rhetorica's status in the history of art is that of exotica, a book seen as rare and valuable due to its American subject matter ...
Stephanie Porras
wiley   +1 more source

Staging Grounds: Loutherbourg and Warley

open access: yesArt History, Volume 46, Issue 4, Page 778-810, September 2023., 2023
In 1778, Philippe‐Jacques de Loutherbourg began work on a pair of companion pictures marking George III's attendance at a spectacular military review on the broad expanse of Essex wasteland that was Warley Common. Scholars of the painter's art have largely overlooked these ambitious, large‐scale landscapes, but their commission and subsequent display ...
John Bonehill
wiley   +1 more source

Authorship, Image‐Making, and Excess: William Hunter's Anatomia uteri humani gravidi tabulis illustrata (1774)

open access: yesJournal for Eighteenth-Century Studies, Volume 46, Issue 2, Page 213-237, June 2023., 2023
Abstract In 1774, the physician‐anatomist William Hunter (1718–1783) published Anatomia uteri humani gravidi tabulis illustrata/The Anatomy of the Human Gravid Uterus, Exhibited in Figures (1774). Issued as an elephant folio, the book is the culmination of twenty‐four years of work and includes thirty‐four plates with life‐size hyper‐naturalistic ...
Alicia Hughes
wiley   +1 more source

Yubbi Yarning Circle Model: Collective Narratives and Cultural Expression in the Journey of Trauma

open access: yesAustralian Journal of Politics &History, Volume 69, Issue 1, Page 6-34, March 2023., 2023
This article describes a “working model” that started as a culturally appropriate workshop created by students and staff involved in the Certificate III in Visual Arts at Goulburn Ovens Institute of TAFE, Shepparton Campus, Victoria in 2018. The Yubbi Yarning Circle Model (YYCM) sees First Nations Artists, as both Facilitators and Storytellers ...
Peta Wanjunagalin, Robyn E Thompson
wiley   +1 more source

On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal

open access: yesArt History, Volume 45, Issue 4, Page 774-797, September 2022., 2022
Scholars have for decades challenged the popular belief that Islam is intrinsically and implacably hostile to anthropomorphic art. Rooted in this literature, this essay argues that Islam was responsible for popularizing portraiture in Senegal, which previously featured none.
Giulia Paoletti
wiley   +1 more source

Colesworthy Grant's Portraits of Colonial Society in India: Lithography, Liberalism, and the Global Making of Middle‐Class Culture, c. 1833–57

open access: yesArt History, Volume 45, Issue 4, Page 712-743, September 2022., 2022
This essay explores how lithographic printing connected colonial society in India to global developments in the making of middle‐class culture. It focuses on two print portrait series that the artist Colesworthy Grant (1813–80) released in illustrated periodicals: Lithographic Sketches of the Public Characters of Calcutta; and A Series of Miscellaneous
Tom Young
wiley   +1 more source

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