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Prosodic Weight

Natural Language & Linguistic Theory, 2019
Prosodic weight plays a central role in metrical systems, including stress, poetic meter, prosodic word minimality, and prosodic end-weight. In each, constraints regulate the interaction of weight and phonological strength. For example, in English, increasingly heavy syllables are increasingly likely to attract stress.
exaly   +4 more sources

Segmental quantity and prosodic weight

2013
AbstractSwedish has mandatory stress to weight, i.e. a requirement on stressed syllables to be heavy. This is a difference with respect to English. This prosodic constraint is met by segmentals in two basic ways, by placing two moras on a vowel, or by placing one on the vowel and onte on the following consonant.
Tomáš Riad
exaly   +2 more sources

Alignment of prosodic weight and musical length in Finnish vocal music textsetting

2022
In the study of textsetting, i.e., the alignment of lyrics to music in song writing, the rhythmic treatment of prosodic syllable weight in relation to note length has so far received less attention than other areas of prosody, such as stress prominence and pitch.
Arjava, H., Kentner, G.
exaly   +3 more sources

Measuring Prosodic Transfer in Vector Space by Weighted Tonal Events

2018 11th International Symposium on Chinese Spoken Language Processing (ISCSLP), 2018
Prosodic transfer plays a significant role in forming stereo-typed foreign accent, so measuring the transfer of non-native speakers is of great importance to language learning. Recent researches are trying to build intonation models to describe the transfer using f0 and break differences between the target and the gold standard.
Xuanda Chen, Yuan Jia, Ziyu Xiong
openaire   +2 more sources

Weighting of prosodic cues in language discrimination by infants and adults

The Journal of the Acoustical Society of America, 2011
Previous research has shown that infants and adults can discriminate between prosodically similar languages using only prosodic cues. These experiments were designed to determine whether listeners use pitch cues or segmental duration and timing cues (i.e., rhythm cues) in language discrimination.
Chad J. Vicenik, Megha Sundara
openaire   +1 more source

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