Results 21 to 30 of about 515 (102)

Ancient Prototext in the A. Krymskyi's Short Stories: Types of Intertextuality

open access: yes, 2022
Connections with the ancient culture is a characteristic feature of A. Krymskyi’s small prose. Such types of connections have different manifestations, appear at various levels and possess diverse functionality. The article’s objective is to identify types of Intertextuality in the A. Krymskyi’s collection «Summons and Sketches», to trace the functions
openaire   +1 more source

THE STRATEGY OF DECONSTRUCTION OF THE SOVIET PROTOTEXT IN V. PELEVIN’S PROSE

open access: yesReview of Omsk State Pedagogical University. Humanitarian research, 2020
The article deals with the problem of reconstruction of the Soviet picture of the world in V. Pelevin’s prose. The researcher focuses on the author’s strategy for the deconstruction of the Soviet prototext, defined as destruction of the conventional linguistic structures of the ideological language of the Soviet era and stereotypes of their perception,
openaire   +1 more source

Representation of masculine speech in the Japanese dub of the American series Never Have I Ever (2020): fictional idiolects or linguistic experimentation? [PDF]

open access: yes, 2023
This case study analyzes male language in the Japanese-language version of the American series Never Have I Ever (2020) , produced and dubbed by Netflix.
Francesco Vitucci
core   +1 more source

INVISIBLE TURKISMS IN THE OLZHAS SULEIMENOV’S BOOK “AZ I YA”: A PHILOLOGICAL ESSAY

open access: yesPolylinguality and Transcultural Practices, 2018
The article is devoted to the analysis of the so-called “invisible Turkisms”, which are the object of discussion in the book “AZ i YA” by O. Suleimenov.
Elena Alexandrovna Krasina
doaj   +1 more source

THE POLYGENETIC INTERTEXTUALITY

open access: yesВестник Волгоградского государственного университета: Серия 2. Языкознание, 2014
The author studies the notion of polygenetic intertextuality at the formal and semantic levels of a text. It is shown that at the formal level polygenetic intertextuality serves as the main criterion of genre categorization of texts in the semiotic space
Petrova Natalya Vasilyevna
doaj   +1 more source

The Secret Days of Orson Welles in Brasil: Textual variation and addressing change

open access: yesSignum: Estudos da Linguagem, 2020
Textual construction is a dynamic movement of prospecting and retrospection, in which the writer materializes his ideas in a continuum of choices and intentions from the rereading of the writing itself.
Livia Sprizão de Oliveira   +1 more
doaj   +1 more source

Formal and Semantic Organization of Hybrid Literary-Legal Discourse

open access: yesRUDN Journal of Language Studies, Semiotics and Semantics, 2022
The research is carried out through cognitive-discursive paradigm in language learning using the methods of cognitive-discursive, conceptual, contextual, structural-semantic, component, definitional and etymological analysis.
Elena V. Dziuba, Irina Y. Ryabova
doaj   +1 more source

Commentary and Translation: Exploring the Du lü yanyi 杜律演義

open access: yesActa Universitatis Carolinae: Philologica, 2018
This paper presents a preliminary discussion of the status of translation practices embedded in the commentarial entries of the Yuan dynasty anthology Du lü yanyi 杜律演義 [Explanation of the Meaning of Du Fu’s Regulated Verse] by Zhang Xing 張性. The research
Barbara Bisetto
doaj   +1 more source

Experience of Analysis and Synthesis of Contextual Meanings of the Dominant Unit child in Poetic Text by W. Blake “The Lamb”: Intertextual Aspect

open access: yesНаучный диалог, 2020
The article is devoted to the study of the dynamics of the semantic complex of dominant units of a poetic text. A dominant unit is interpreted as a token that can be defined by dictionary and non-dictionary, figurative, author’s meanings in a given work ...
I. V. Sergodeev
doaj   +1 more source

Olivier's 'Essay on Hamlet' [PDF]

open access: yesZbornik Radova Akademije Umetnosti, 2017
Laurence Olivier's Hamlet is more a renaissance character, a melancholic and a daydreamer, than a man of action, unlike his Henry V and Richard III film adaptations.
Koprivica Zoran
doaj  

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