Results 51 to 60 of about 86,506 (294)

Contemporary artists and colour: meaning, organisation and understanding [PDF]

open access: yes, 2005
What implications do the ranges of traditional and non-traditional media used by contemporary artists have for understanding the selection and specification of coloured materials?
Batchelor   +6 more
core   +1 more source

Machine Learning‐Based Automatic Scratch Performance Quantification on Polymeric Surfaces

open access: yesJournal of Applied Polymer Science, EarlyView.
The automated scratch performance evaluation framework. ABSTRACT Quantitative scratch resistance characterization constitutes an important step in the performance evaluation of polymeric surfaces. By applying the standardized ASTM and ISO scratch test methodology, the present work discusses an approach to automate scratch detection by applying a U‐Net ...
Sumit Khatri, Zeling Li, Hung‐Jue Sue
wiley   +1 more source

Visual masking & schizophrenia

open access: yesSchizophrenia Research: Cognition, 2015
Visual masking is a frequently used tool in schizophrenia research. Visual masking has a very high sensitivity and specificity and masking paradigms have been proven to be endophenotypes.
Michael H. Herzog, Andreas Brand
doaj   +1 more source

Psychotherapists' interoceptive awareness and accuracy

open access: yesCounselling and Psychotherapy Research, EarlyView.
Abstract Objective This study examined the different dimensions of interoception in psychotherapists to better understand the significance of interoception in therapeutic work. Methods Data on objectively defined interoceptive accuracy, response confidence and subjectively assessed interoceptive awareness were collected from psychotherapists.
Satu Halonen   +3 more
wiley   +1 more source

Psychophysics Phenomenologized? Sensation and Decision in Visual Motion Perception

open access: yesPhenomenology and Mind, 2016
Experimental phenomenology and psychophysics are two rather different approaches to the study of perception, and rely on first-person descriptions and third-person measurements of the percept, respectively.
Regina Gregori Grgic   +1 more
doaj   +1 more source

Traditional and new principles of perceptual grouping [PDF]

open access: yes, 2014
Perceptual grouping refers to the process of determining which regions and parts of the visual scene belong together as parts of higher order perceptual units such as objects or patterns.
Brooks, Joseph L
core   +1 more source

Aging and Color Vision: A Model Using the Farnsworth‐MUNSELL 100‐Hue Test

open access: yesColor Research &Application, EarlyView.
ABSTRACT Introduction This study examined the theoretical changes in the FM100 Hue scores induced by age‐related changes in the ocular media transmittance. These changes were analyzed with and without a von Kries‐type chromatic adaptation to determine the role of this adaptation process on age‐related changes in hue discrimination.
Victor Opoku‐Yamoah   +2 more
wiley   +1 more source

The functional role of spatial anisotropies in ensemble perception

open access: yesBMC Biology
Background The human brain can rapidly represent sets of similar stimuli by their ensemble summary statistics, like the average orientation or size. Classic models assume that ensemble statistics are computed by integrating all elements with equal weight.
Natalia A. Tiurina   +3 more
doaj   +1 more source

EyeRIS: A General-Purpose System for Eye Movement Contingent Display Control [PDF]

open access: yes, 2005
In experimental studies of visual performance, the need often emerges to modify the stimulus according to the eye movements perfonncd by the subject. The methodology of Eye Movement-Contingent Display (EMCD) enables accurate control of the position and ...
Lovin, Ramon   +3 more
core   +1 more source

The CIECAM16‐Based Lightness Model Incorporating the Helmholtz–Kohlrausch (H–K) Effect Using Heterochromatic Brightness Matching Data

open access: yesColor Research &Application, EarlyView.
ABSTRACT The heterochromatic brightness matching experiment was conducted by adjusting the luminance of the achromatic color to have the same brightness as the chromatic colors. There were eight different sessions with different background and stimulus luminance levels. Twenty observers participated in each session.
Garam Seong, Youngshin Kwak, Hyosun Kim
wiley   +1 more source

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