Results 281 to 290 of about 126,638 (331)
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The Journal of the Acoustical Society of America, 1993
A music synthesizer simulates the musical tones of bowed string and wind instruments. The synthesizer includes a noise generator which generates pulsed noise signals, as well as a resonant system or signal generator which generates deterministic or periodic signals.
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A music synthesizer simulates the musical tones of bowed string and wind instruments. The synthesizer includes a noise generator which generates pulsed noise signals, as well as a resonant system or signal generator which generates deterministic or periodic signals.
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Pulse-time-modulation terminals for music transmission over radio links
Proceedings of the IEE - Part B: Radio and Electronic Engineering, 1956A communication system is described which enables three music circuits and an engineer's circuit to be combined. The combination is effected by using pulse time modulation in four time-division multiplexed channels. The purpose of the system is to enable a microwave link, intended for the transmission of television signals, to carry audio signals of ...
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Microstructural musical linguistics: composers' pulses are liked most by the best musicians
Cognition, 1995Western music is a combination of notated structure plus microstructure. Composers' pulses, as precise microstructural functions, were tested with five groups of subjects of graded musical proficiency: (1) 10 famous artists including Vladimir Ashkenazy, Yehudi Menuhin, Paul Badura-Skoda and others; (2) 14 Julliard School of Music graduate students; (3)
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The Music of the Pulse in Marsilio Ficino’s Timaeus Commentary
2012This chapter on Italian Renaissance philosopher Marsilio Ficino's beliefs regarding the music of the pulse aims to show the extent to which this particular topic functioned as a key concept in his ideas about human physiology and medicine. This chapter outlines the physiological bases for music therapy in Ficino's Timaeus commentary, and then explores ...
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A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms
Music Perception, 1994In Experiment 1, six cyclically repeating interonset interval patterns (1,2:1,2:1:1,3:2:1,3:1:2, and 2:1:1:2) were each presented at six different note rates (very slow to very fast). Each trial began at a random point in the rhythmic cycle. Listeners were asked to tap along with the underlying beat or pulse.
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Wearable Pressure Sensors for Pulse Wave Monitoring
Advanced Materials, 2022Ardo Nashalian, Sophia Shen
exaly
, 2023 Pulse-dependent analyises of percussive music
IIEEE International Conference on Acoustics Speech and Signal Processing, 2002null Gouyon, null Herrera, null Cano
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