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PUSHKIN IN ANIMATION AND THE PUSHKIN MYTH

Lomonosov Journal of Philology
The article is devoted to the reflection of the Pushkin myth of Russian culture in animation: from Pushkin’s cycle by A.Yu. Khrzhanovsky, who conveyed the perception of Pushkin characteristic of the 1970–1980s, to the animated series Pushkin and... Mikhailovskoye (2023), created by the artist I. Shaimardanov in the spirit of postmodernist trends.
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Pushkin

Books Abroad, 1937
A. K., Ernest J. Simmons
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An Invitation to Pushkin

Soviet Studies in Literature, 1971
The little house in Mikhailovskoe where Pushkin wrote Boris Godunov and the "rural" chapters of Onegin, and where verses of unparalleled perfection were created, was destroyed in 1944 by the retreating Nazi soldiers. Burned down to the ground, to its foundations.
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Pushkin

Books Abroad, 1938
Alexander Kaun, Yuri Tynyanov
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Pushkin

The Modern Language Journal, 1972
Roger B. Anderson, Henri Troyat
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Pushkin

The Slavic and East European Journal, 1964
Fan Parker, D. S. Mirsky
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Pushkin’s “Monument”

1956
In 1945 S. H. Cross reviewed in the American Slavic and East European Review1 V. Nabokov’s translations from Pushkin, Lermontov, and Tyutchev. I am only accidentally interested in this review and in Nabokov’s translations; my purpose is to discuss Pushkin’s “Monument,” and, more specifically, one line—the fourth line of the first stanza.
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