Iconographic Themes in the Wall Paintings of Nasir al-Mulk House in Shiraz [PDF]
هنر و تمدن شرق, 2023 One of the most important eras in the development of Iran’s art and architecture, especially in the format of murals, is the Qajar era. The dominant attributes of this period are relations with the West and adopting its culture and art. Qajar’s mural art
Gohar Shahraki Moghadam +1 more
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Study of the Expansion and Diversity Fields in the Art of Gilding in the Qajar Period [PDF]
نگره, 2023 Book decoration, from Persian miniature and gilding to bookbinding, has been one of the arts considered by artists during the Islamic period. Many authors and scholars are not interested to study the art of the Qajar period, especially gilding, and the ...
Atefeh Shafiee, Alireza Sheikhi
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The Study of Men’s Clothing Decorations in Qajar Era [PDF]
پیکره, 2016 The history of applying ornamentations to clothes and dresses in Iran dates back to Pre-Islamic era. With appearance of Islam, however, the kind and material of ornamentations, especially for men, changed.
Elaheh Saleh
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Comparative study of Western and Iranian motifs of Qajar mansions Case study: Afifabad Garden Mansion in Shiraz [PDF]
هنر اسلامی, 2023 One of the important factors in the beauty of Iranian architecture works in many historical periods is their decorations and designs. Meanwhile, Afifabad mansion in Shiraz is one of the valuable works of Iranian Islamic architecture in the Qajar period ...
Fatemeh Nekooeimehr +2 more
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West's influence on the Iranian painting from the beginning of Qajar rule to the end of Naseri Era [PDF]
پژوهشهای تاریخی ایران و اسلام, 2017 The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period.
مصطفی لعل شاطری +2 more
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The Study of the Iconographic Features in Lithographic version One Thousand and One Nights of the Qajar Period [PDF]
هنر اسلامی, 2020 The art of the Qajar period, by using the previous traditions and looking at Western naturalism and the literature of the rulers of this period, has introduced new features into the field of assembly ornamentations.
Marzieh Toraji
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Genealogy of the Calligraphic Designs in the Saqqakhaneh Movement [PDF]
پیکره, 2023 Problem Definition: Although more than half a century has passed since the emergence of the Saqqakhaneh movement in Iranian modern art, it is still a subject of debate and disagreement as a symbol of modernism.
Arman Davoudi Abkenar +1 more
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The politics of street names: Reconstructing Iran’s collective identity
Studies in Ethnicity and Nationalism, Volume 23, Issue 2, Page 122-143, September 2023., 2023 Abstract With the radical political change in 1979, Iran's revolutionary state assumed the responsibility of re‐rewriting the past history to forge a new sense of belonging, a particularly collective religious (Shia) identity. It launched a complex process of forgetting and remembering to first eliminate the national (Persian), non‐religious memories ...
Ehsan Kashfi
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Retrieval of Identity layers in Qajar Era (case study: ceramics) [PDF]
نگره, 2017 The Concept of Identity in all cultures and countries depends on religion, ideology, political and social relations and history. The identity in Artwork has different layers and each layer depends on different aspects.so in artworks we can study this ...
Mahmonir Shirazi +1 more
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The Kurdish Janus: The intersocietal construction of nations
Nations and Nationalism, Volume 29, Issue 2, Page 718-733, April 2023., 2023 Abstract Existing accounts of Kurdish nationalism can be mapped onto the main theories of nationalism, that is, primordialism, ethnosymbolism and modernism. These theories, however, suffer, respectively, from essentialism, circularity and aporia, manifest in their common inability to digest the Janus‐like character of nations, that is, their display of
Kamran Matin, Jahangir Mahmoudi
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