The Reflection of Romanticism in Poetry of Langroudi and its Reflection in Qajar Painting [PDF]
هنر اسلامی, 2020 In this article, the reflection of romanticism in the poems of Shams Langroudi and its reflection in Qajar painting is focused upon. The research method is accomplished via library method within an analytical-descriptive framework.
Diako Elahi +2 more
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Study of the Structural components and Meaning of the Headstones in the Shrine of Hazrat Suleiman (AS) in Shiraz during the Qajar Period [PDF]
مجله مطالعات ایرانی, 2023 The tile painting of the court of Hazrat Suleiman the Prophet and the demons is one of the artistic examples of the Qajar period, which, in addition to the artistic and religious characteristics, shows the relationship between art, religion and politics ...
Elahe Panjehpashi
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Studying the Evolution of Painted Enamel Medallions with the Images of Kings and Princes during the Qajar Period (Fath Ali Shah until the End of Naser al-Din Shah's Era) [PDF]
نگره, 2023 The art of court iconography is one of the main arts of the Qajar era and can be seen in various arts of this era. One of the arts related to iconography, the combination of painting and jewelry, is painted in the form of enameled medallions which are ...
الهه Panjehbashi
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Recognizing the Art of Court Portrait Painting by Mozaffar ad-DinShah in the late Qajar Period [PDF]
پیکره, 2023 Problem Definition: The Art of Court Portrait Painting is one of the Main arts of the Qajar Period, Which Continued Until the Period of Muzaffar al-Din Shah.
Elaheh Panjeh Bashi
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"Study of Urban Landscapes in the Paintings of Mahmoud Khan Malek al-Sho'ra with the Influence of Photography in the Second Period of the Qajar Era" [PDF]
نگره, 2022 During the Qajar period, one of the brilliant artists was Mahmoud Khan, the king of poets, who was one of the prominent masters in painting urban landscapes. His works have different backgrounds considering his time and he is known as one of the pioneers
Elaheh Panjehbashi
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The Visual Signs of Affluence in the Single Figurative Paintings of the Court Women in the Zand and Qajar eras and their Comparison with the Paintings of the Isfahan School [PDF]
پیکره, 2021 Problem Definition: Royal figurative painting, a style of Persian painting formed during the Zand era, continued until the end of the reign of the third Qajar Shah in Iran.
Ameneh Mafitabar
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The history of themes, subjects and visual structure of imaginary paintings (Khialinegari) in Iran`s art of Qajar era (According to written documents) [PDF]
هنر اسلامی, 2018 Khialinegari is an expression for describing a kind of narrative painting which has religious, heroic, epic, lyrical and popular content. It spread in Qajar era according to folk art and religious art while was impressed by the tradition of ...
Ali Reza Khajeh Ahmad Atari +4 more
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Influences of Painting Basics and Cultural Factors in Type of Background's and Foreground's Composition in Photography of Qajar Era[1] [PDF]
Jilvah-i hunar, 2016 Qajar Era[1] Photography entered Iran with a time difference of three years after its invention in Europe, at the time of Qajar dynasty (1842 A.D. / 1258 A.H.) and grew with the growth of this dynasty. Photography needed a proper context at the beginning
R. Afhami Afhami Afhami +1 more
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Connotation of Position of Nasir-al-Din Shah’s Body in the Mirror Hall of Kamal-al-Molk Based on the Theory of Yuri Lotman [PDF]
نگره, 2023 In every aspect, Qajar painting opens up a new visual content to the Iranian art. In this period, art and painting change in the face of cultural, social and political events. Most of the illustrations of this period belong to the king's body, the nobles
sharareh Eftekhari Yekta +2 more
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Meta‐Virtuality: Strategies of Disembeddedness in Virtual Interiorities
Journal of Interior Design, EarlyView., 2022 ABSTRACT To reclaim their seat in the rapidly growing market of virtual space, designers of the built environment can benefit from reevaluating theories that see the virtual as a mere extension/reflection of the physical. By claiming ontological autonomy from external worlds, the virtual is liberated from the hegemonic control of the physical.
Vahid Vahdat
wiley +1 more source