The Reflection of Romanticism in Poetry of Langroudi and its Reflection in Qajar Painting [PDF]
هنر اسلامی, 2020 In this article, the reflection of romanticism in the poems of Shams Langroudi and its reflection in Qajar painting is focused upon. The research method is accomplished via library method within an analytical-descriptive framework.
Diako Elahi +2 more
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Recognizing the Art of Court Portrait Painting by Mozaffar ad-DinShah in the late Qajar Period [PDF]
پیکره, 2023 Problem Definition: The Art of Court Portrait Painting is one of the Main arts of the Qajar Period, Which Continued Until the Period of Muzaffar al-Din Shah.
Elaheh Panjeh Bashi
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The Visual Signs of Affluence in the Single Figurative Paintings of the Court Women in the Zand and Qajar eras and their Comparison with the Paintings of the Isfahan School [PDF]
پیکره, 2021 Problem Definition: Royal figurative painting, a style of Persian painting formed during the Zand era, continued until the end of the reign of the third Qajar Shah in Iran.
Ameneh Mafitabar
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The history of themes, subjects and visual structure of imaginary paintings (Khialinegari) in Iran`s art of Qajar era (According to written documents) [PDF]
هنر اسلامی, 2018 Khialinegari is an expression for describing a kind of narrative painting which has religious, heroic, epic, lyrical and popular content. It spread in Qajar era according to folk art and religious art while was impressed by the tradition of ...
Ali Reza Khajeh Ahmad Atari +4 more
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A comparative study of two women in Qajar painting using semiotic approach [PDF]
زن در فرهنگ و هنر, 2016 Paintings of the late Qajar period and brilliant paintings from important periods in Iran were under the influence of painting in relation to Europe and thereby experienced great changes.
Elaheh PanjehBashi
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Influences of Painting Basics and Cultural Factors in Type of Background's and Foreground's Composition in Photography of Qajar Era[1] [PDF]
Jilvah-i hunar, 2016 Qajar Era[1] Photography entered Iran with a time difference of three years after its invention in Europe, at the time of Qajar dynasty (1842 A.D. / 1258 A.H.) and grew with the growth of this dynasty. Photography needed a proper context at the beginning
R. Afhami Afhami Afhami +1 more
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Exploring the image of angels in painting of Qajar period [PDF]
پیکره, 2014 The good and evil issues have always busied the human's mind. The image of angels as the most important symbol of goodness has many applications in the literature on the mythologic, epic, religious and vulgar subjects before and after Islam.
Naghmeh Safarzadeh, Bahram Ahmadi
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West's influence on the Iranian painting from the beginning of Qajar rule to the end of Naseri Era [PDF]
پژوهشهای تاریخی ایران و اسلام, 2017 The Qajar period is one of the most important sections of art in Iran. The explicit effects of West art culminated in the age which the painting were also affected. In the Qajar period painting consciously inspired by the art of the Safavid period.
مصطفی لعل شاطری +2 more
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Questioning the “classical” in Persian painting: models and problems of definition [PDF]
Journal of Art Historiography, 2012 In scholarship on Persian book arts, paintings have tended to be organized according to a rise-and-fall model. Within this overarching framework, the Ilkhanid period represents the birth of painting and the Qajar era its supposed decline, while Timurid ...
Christiane Gruber
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The Iconography of the Woman's Image during the Qajar Period, with an Emphasis on Journeys, Paintings and Photographs Left from this Period [PDF]
زن در فرهنگ و هنر, 2018 In the early Qajar period, many travelers provided unbelievable information about women. The beauty of Iranian women is one of the points that European tourists have come to appreciate.
Sare Tahmasbizade, Mohamad Ebrahim Zarei
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