Exploring the image of angels in painting of Qajar period [PDF]
The good and evil issues have always busied the human's mind. The image of angels as the most important symbol of goodness has many applications in the literature on the mythologic, epic, religious and vulgar subjects before and after Islam.
Naghmeh Safarzadeh, Bahram Ahmadi
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Tactility and Opticality in Contemporary Abstract Painting [PDF]
The thesis analyses the construction of surface in contemporary abstract painting and its broader implications, mainly in regard to Clement Greenberg´s understanding of modernist painting.
Mathus Ruiz, Miguel
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Digital Embodiment in Contemporary Abstract Painting [PDF]
This thesis re-investigates Clement Greenberg’s discredited abstract expressionist claim that painting should seek its own purity through the acknowledgment of its material.
Stubbs, Michael
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Identifying Visual and Graphic Arts Affecting the Murals of Religious Monuments of Qajar Era (Case Study: Moaven-Al Molk’s Tekiye of Kermanshah) [PDF]
Murals are considered as alternative for beautifying the architectural facade in the Qajar era. Therefore tiling as one of the main decorations of Iranian and Islamic architecture can be seen in most religious monuments such as Tekiyes, and Moaven-Al ...
Atieh Youzbashi +2 more
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Study of the Structural Elements of the Painting of the Great Dervish Curtain of the Qajar Period based on the Historiography of the Old and the New Sections in the Astan Quds Museum [PDF]
Dervish curtain is a painting that deals with the events of Ashura and is different from a coffee house painting. The Dervish curtains were very large and were prepared for the official mourning of the Shah.
Elaheh Panjehbashi
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Inerpreting Qajar-era Painter Mehr Ali's Iconographic Works Using Gerard Genet's Transtextuality [PDF]
In the history of Iranian art, Qajar painting has an important place. Royal portraiture school in the period of Fath Ali Shah Qajar is a prominent branch. In Royal portraiture, naturalization, abstraction and decoration are brilliantly intermixed.
Elnaz Azizi
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The Study of the Iconographic Features in Lithographic version One Thousand and One Nights of the Qajar Period [PDF]
The art of the Qajar period, by using the previous traditions and looking at Western naturalism and the literature of the rulers of this period, has introduced new features into the field of assembly ornamentations.
Marzieh Toraji
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Identifying the Causes of the Emergence of Religious Themes and Its Important Components in the Murals of Religious Monuments of the Qajar Era (Case Study: Sacred Shrines of Guilan Province) [PDF]
Due to the post-constitutional developments, religious painting was mainly limited to folk paintings, which were mostly produced in sacred shrines by non-court painters and aimed at folk artists. The Qajar dynasty covered a wide variety of subjects, with
atieh youzbashi +2 more
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Critical Autobiography and Painting Practice [PDF]
In 2000 I completed a PhD in Creative practice (painting) which had a contextualising thesis as part of the submission. My paintings at this time were based upon issues of memory and the text presented a narrative of the construction of the work but ...
Howey, Barbara
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The Effect of Social and Cultural Evolutions in Safavid and Qajar Dynasties on Women's Portraiture and Iconography [PDF]
In the Safavid and Qajar dynasties, due to the relationship of Iran with the West, the desire of the court to experience the modern world and the desire of the Western world to recognize the East, shaped a kind of traditional and modern dichotomy in many
Marzieh Rashidi, Alireza Taheri
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