Studying the Evolution of Painted Enamel Medallions with the Images of Kings and Princes during the Qajar Period (Fath Ali Shah until the End of Naser al-Din Shah's Era) [PDF]
نگره, 2023 The art of court iconography is one of the main arts of the Qajar era and can be seen in various arts of this era. One of the arts related to iconography, the combination of painting and jewelry, is painted in the form of enameled medallions which are ...
الهه Panjehbashi
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"Study of Urban Landscapes in the Paintings of Mahmoud Khan Malek al-Sho'ra with the Influence of Photography in the Second Period of the Qajar Era" [PDF]
نگره, 2022 During the Qajar period, one of the brilliant artists was Mahmoud Khan, the king of poets, who was one of the prominent masters in painting urban landscapes. His works have different backgrounds considering his time and he is known as one of the pioneers
Elaheh Panjehbashi
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Connotation of Position of Nasir-al-Din Shah’s Body in the Mirror Hall of Kamal-al-Molk Based on the Theory of Yuri Lotman [PDF]
نگره, 2023 In every aspect, Qajar painting opens up a new visual content to the Iranian art. In this period, art and painting change in the face of cultural, social and political events. Most of the illustrations of this period belong to the king's body, the nobles
sharareh Eftekhari Yekta +2 more
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Identifying Visual and Graphic Arts Affecting the Murals of Religious Monuments of Qajar Era (Case Study: Moaven-Al Molk’s Tekiye of Kermanshah) [PDF]
هنر اسلامی, 2022 Murals are considered as alternative for beautifying the architectural facade in the Qajar era. Therefore tiling as one of the main decorations of Iranian and Islamic architecture can be seen in most religious monuments such as Tekiyes, and Moaven-Al ...
Atieh Youzbashi +2 more
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Study of the Structural Elements of the Painting of the Great Dervish Curtain of the Qajar Period based on the Historiography of the Old and the New Sections in the Astan Quds Museum [PDF]
نگره, 2021 Dervish curtain is a painting that deals with the events of Ashura and is different from a coffee house painting. The Dervish curtains were very large and were prepared for the official mourning of the Shah.
Elaheh Panjehbashi
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Inerpreting Qajar-era Painter Mehr Ali's Iconographic Works Using Gerard Genet's Transtextuality [PDF]
نگره, 2023 In the history of Iranian art, Qajar painting has an important place. Royal portraiture school in the period of Fath Ali Shah Qajar is a prominent branch. In Royal portraiture, naturalization, abstraction and decoration are brilliantly intermixed.
Elnaz Azizi
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The Study of the Iconographic Features in Lithographic version One Thousand and One Nights of the Qajar Period [PDF]
هنر اسلامی, 2020 The art of the Qajar period, by using the previous traditions and looking at Western naturalism and the literature of the rulers of this period, has introduced new features into the field of assembly ornamentations.
Marzieh Toraji
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Identifying the Causes of the Emergence of Religious Themes and Its Important Components in the Murals of Religious Monuments of the Qajar Era (Case Study: Sacred Shrines of Guilan Province) [PDF]
نگره, 2022 Due to the post-constitutional developments, religious painting was mainly limited to folk paintings, which were mostly produced in sacred shrines by non-court painters and aimed at folk artists. The Qajar dynasty covered a wide variety of subjects, with
atieh youzbashi +2 more
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The Effect of Social and Cultural Evolutions in Safavid and Qajar Dynasties on Women's Portraiture and Iconography [PDF]
زن در فرهنگ و هنر, 2019 In the Safavid and Qajar dynasties, due to the relationship of Iran with the West, the desire of the court to experience the modern world and the desire of the Western world to recognize the East, shaped a kind of traditional and modern dichotomy in many
Marzieh Rashidi, Alireza Taheri
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Iconographic Themes in the Wall Paintings of Nasir al-Mulk House in Shiraz [PDF]
هنر و تمدن شرق, 2023 One of the most important eras in the development of Iran’s art and architecture, especially in the format of murals, is the Qajar era. The dominant attributes of this period are relations with the West and adopting its culture and art. Qajar’s mural art
Gohar Shahraki Moghadam +1 more
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