Results 191 to 200 of about 3,741,983 (250)
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Animals without genitals: Race and transsubstantiation
Women and Performance, 2010How might one think about modes of trans-ness in conjunction with animality? “Trans-animality” can simultaneously refer to gender and species, while sexuality, geopolitics and race remain in full scope. This trans-generic thought piece invokes the theoretical lens of a Deleuzian “body without organs,” bringing into suggestive resonance several ...
Mel Y Chen
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Blood on the race track: an analysis of ethical concerns regarding animal-based gambling
Annals of Leisure Research, 2017Kevin Markwell, Nerilee Hing
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Social & Cultural Geography, 2022
Animal-based entertainment industries, predicated on asymmetrical human-animal relations, often operate legally but face growing opposition, focused particularly on animal death.
P. McManus
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Animal-based entertainment industries, predicated on asymmetrical human-animal relations, often operate legally but face growing opposition, focused particularly on animal death.
P. McManus
semanticscholar +1 more source
Competition, Regulation, and the Race to the Bottom in Animal Agriculture
The Palgrave Macmillan Animal Ethics Series, 2022Steven Mcmullen
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Race and the Animated Bodyscape
2023Race and animation are increasingly popular subjects within both scholarly and popular discourse. Race and the Animated Bodyscape offers a blueprint for studying the intersection between these two topics, utilizing Nickelodeon’s Avatar: The Last Airbender
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IEEE Computer Graphics and Applications, 2003
I-Race is the world's first computer-generated TV channel. It features simulated horse racing 24 hours a day, seven days a week. Viewers can actively participate in the animated races, not just place bets on prospective winning horses. They can buy, name, and train the animated racehorses, competing against other enthusiasts, as well as compete for ...
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I-Race is the world's first computer-generated TV channel. It features simulated horse racing 24 hours a day, seven days a week. Viewers can actively participate in the animated races, not just place bets on prospective winning horses. They can buy, name, and train the animated racehorses, competing against other enthusiasts, as well as compete for ...
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The American Journal of Semiotics, 2021
This article analyses the role of colour in the representation of animals in Nazi propaganda. It demonstrates that colour, as applied to animals, was a communicational strategy of paramount relevance in setting boundaries and creating differences between the Nazis and their enemies.
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This article analyses the role of colour in the representation of animals in Nazi propaganda. It demonstrates that colour, as applied to animals, was a communicational strategy of paramount relevance in setting boundaries and creating differences between the Nazis and their enemies.
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Race and Justice
A large body of research examining crimes against animals exists. An overlooked question in that literature is whether animal social control responses contain race, class and ethnicity processing biases against offenders similar to those found in ...
Michael J. Lynch, Leo J. Genco
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A large body of research examining crimes against animals exists. An overlooked question in that literature is whether animal social control responses contain race, class and ethnicity processing biases against offenders similar to those found in ...
Michael J. Lynch, Leo J. Genco
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‘The Beast within’: Race, Humanity, and Animality
Environment and Planning D: Society and Space, 2000Recent years have seen efforts to critique the dichotomy of ‘nature’ and ‘society’ in Western thought, and to demonstrate their coconstruction under specific material conditions. As yet, however, little work has uncovered the discourses of animality that lie buried within a social field whose ontological status until recently has been securely ‘human’.
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Race, technology, and the animal
Science Fiction Film & TelevisionThis article considers how the relationship envisioned among race, technology, and the animal within The Creator (2023) enables the film to offer radical, anti-essentialist possibilities for the posthuman as a concept within sf.
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