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Haiti: Witnessing as Revolutionary Praxis in Raoul Peck's Films
Black Camera, 2013This essay discusses Haitian Corner and L’Homme Sur le Quais / The Man by the Shore , two films by Haitian filmmaker Raoul Peck, as what scholar Teshome Gabriel would call “intolerable gifts.” It argues that the films’ narrative structures and framing demand that the audience act as witness to the violence and trauma depicted onscreen.
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Recasting History: The Transformative Cinema of Steve McQueen and Raoul Peck
Afterall: A Journal of Art, Context and Enquiry, 2018Karen Alexander reflects on Steve McQueen and Raoul Peck’s aesthetically distinctive and politically challenging film-making practices.
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9. Raoul Peck’s Lumumba: Drama, Documentary, and Postcolonial Appropriation
2020openaire +3 more sources
Comment enseigner le film documentaire sur Haïti ? L'Exemple d'Assistance mortelle de Raoul Peck
Journal of Haitian Studies, 2021openaire +3 more sources
Interchapter 4 Memory and nonviolence – on Raoul Peck’s I Am Not Your Negro
2023openaire +3 more sources
2015
This comprehensive collection of essays dedicated to the work of filmmaker Raoul Peck is the first of its kind. The essays, interview, and keynote addresses collected in Raoul Peck: Power, Politics, and the Cinematic Imagination focus on the ways in which power and politics traverse the work of Peck and are central to his cinematic vision. At the heart
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This comprehensive collection of essays dedicated to the work of filmmaker Raoul Peck is the first of its kind. The essays, interview, and keynote addresses collected in Raoul Peck: Power, Politics, and the Cinematic Imagination focus on the ways in which power and politics traverse the work of Peck and are central to his cinematic vision. At the heart
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Raoul Peck's Lumumba : A Film for Our Times
Research in African Literatures, 2002The "biopic" Lumumba, which premiered in New York, Washington, and Los Angeles in July 2001 after opening in Paris and Montreal and which has been released in limited distribution internationally, is a film of great interest to Africanists. Directed by acclaimed Haitian doc?
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