Results 131 to 140 of about 3,721 (164)

I am not your Negro by Raoul Peck

2020
Les travaux sur les cinémas d’Afrique et des diasporas gagnent en complexité, où l’interdisciplinarité devient centrale. Cette analyse de Je ne suis pas votre nègre (2016) du réalisateur haïtien Raoul Peck montre la fécondité du dialogue entre les disciplines, les espaces et les concepts dans l’étude de productions audiovisuelles et l’analyse de l ...
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The Black Holes of History: Raoul Peck's Two Lumumbas

Framework: The Journal of Cinema and Media, 2009
The Haitian director Raoul Peck has made two films about Patrice Lumumba's brief tenure as the Congo's first elected prime minister after independence, achieved in June 1960, and his subsequent murder in January 1961. The two films are so different in their style and method, not to mention their genre, that it is almost difficult to conceive that both ...
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Mémoire(s) et figures dictatoriales dans: Moloch tropical de Raoul Peck

Journal of Haitian Studies, 2016
Cet article analyse les differentes figures et representations du personnage du dictateur dans Moloch tropical de Raoul Peck. Le dictateur y apparait sous les traits d’un dirigeant malade et conteste. Bien que affaibli politiquement, il est cruel et demeure obsede par le pouvoir.
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Between Life and Legend

Journal of World Literature, 2021
Abstract This article sets out to explore the multiple “senses” in Raoul Peck’s 2016 documentary I Am Not Your Negro from several perspectives. First, it focuses on Peck’s cinematographic ambitions with reference to his social experience of geographic mobility and to his current position in the transnational field of cinema.
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Raoul Peck, dir. Exterminate All the Brutes. New York: HBO Documentary Films, 2021.

2023
World History Connected, Vol. 18 No.
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Unearthing Ambiguities: Post-Genocide Justice in Raoul Peck’s Sometimes in April and the ICTR case Nahimana et al.

International Journal of Transitional Justice, The, 2021
Anna Katila
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Karl Marx vu par Raoul Peck

Philosophie Magazine, 2017
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A IMAGEM-DESCONHECIMENTO: SUPREMACIA BRANCA E GENOCÍDIO NA OBRA CINEMATOGRÁFICA DE RAOUL PECK

Dinâmica interna à imagem conduz ao aniquilamento do texto, embora seja mais por contingência que necessidade. Pela vista da ordem jurídica e política, o que se derrubava do texto apontava para algo da ordem de um crime trágico, porventura supremo. Após a desconstrução do crime de lesa-majestade, largado na lixeira da história com a maior parte das ...
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Peck, Raoul

2016
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Entre Histoire et Fiction : La Fin du Congo Belge et l’Échec de l’Homme d’Exception. Une Saison au Congo (Aimé Césaire) et Lumumba (Raoul Peck)

Revue Nordique Des études Francophones = Nordic Journal of Francophone Studies, 2020
Fabrice Schurmans
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